On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 155
... present to his imagination than their personal names . 148 If this is true , then the same general attitude to the characterisation should be present in the mind of a producer , and through him communicate itself to the actors . A ...
... present to his imagination than their personal names . 148 If this is true , then the same general attitude to the characterisation should be present in the mind of a producer , and through him communicate itself to the actors . A ...
Page 273
... present in the opening dialogue . Iago's speeches are an excellent example of the new conciseness ; as a good speaker delivers them , we get much more than plain sense from them ; they breed drama by poetical means : one specimen must ...
... present in the opening dialogue . Iago's speeches are an excellent example of the new conciseness ; as a good speaker delivers them , we get much more than plain sense from them ; they breed drama by poetical means : one specimen must ...
Page 292
... present us with the picture of the household asleep : that is the effect ( and presumably the pur- pose ) of such lines as Shake off this Downey sleepe , Deaths counterfeit , . . . and What's the Businesse ? That such a hideous Trumpet ...
... present us with the picture of the household asleep : that is the effect ( and presumably the pur- pose ) of such lines as Shake off this Downey sleepe , Deaths counterfeit , . . . and What's the Businesse ? That such a hideous Trumpet ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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Common terms and phrases
action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised