On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 37
... practice - to a company acting in a replica of the Globe . We cannot tell , till we have such conditions : and we cannot be sure that our paper theories are right until they are tested in the conditions of performance . Reading the ...
... practice - to a company acting in a replica of the Globe . We cannot tell , till we have such conditions : and we cannot be sure that our paper theories are right until they are tested in the conditions of performance . Reading the ...
Page 103
... practice leads to much confusion and a fundamental misunderstanding of Shakespeare's stagecraft.224 A kindred belief which also dies hard suggests that it was the regular practice in the playhouse to indicate the whereabouts of each ...
... practice leads to much confusion and a fundamental misunderstanding of Shakespeare's stagecraft.224 A kindred belief which also dies hard suggests that it was the regular practice in the playhouse to indicate the whereabouts of each ...
Page 304
... practice of resting the chief actor ( and his audience ) round about the fourth act of a tragedy . Othello is the only one of Bradley's " big four " that does not follow this practice — and the only one that does not sag a little at ...
... practice of resting the chief actor ( and his audience ) round about the fourth act of a tragedy . Othello is the only one of Bradley's " big four " that does not follow this practice — and the only one that does not sag a little at ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised