On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 15
... position of the platform , and the consequent relation between actor and audience ; the unusual quality of their characterisation . In a digression we make personal acquaintance with some of the players and discuss the important issue ...
... position of the platform , and the consequent relation between actor and audience ; the unusual quality of their characterisation . In a digression we make personal acquaintance with some of the players and discuss the important issue ...
Page 151
... position of Malvolio as a dignified gentleman who is Steward of a great household , makes his aspiration to the hand of his mistress a quite credible ambition : " There is example for't , " says he , and Miss M. St. Clair Byrne , in an ...
... position of Malvolio as a dignified gentleman who is Steward of a great household , makes his aspiration to the hand of his mistress a quite credible ambition : " There is example for't , " says he , and Miss M. St. Clair Byrne , in an ...
Page 281
... position , with another conversation up- stage . ( Positioning , see especially p . 137 ) The incidents of this scene are : ( 1 ) Cawdor's execution - un- necessary , but the ironical point of the juxtaposition of . . absolute Trust . O ...
... position , with another conversation up- stage . ( Positioning , see especially p . 137 ) The incidents of this scene are : ( 1 ) Cawdor's execution - un- necessary , but the ironical point of the juxtaposition of . . absolute Trust . O ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised