On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 30
... plotting and rehearsal ; nor is it sensible to accept as fact the satirical picture of muddle made delightfully familiar ... plot and the actors ' parts . The technical name for the prompter was the ' book - holder ' . . . . It does not ...
... plotting and rehearsal ; nor is it sensible to accept as fact the satirical picture of muddle made delightfully familiar ... plot and the actors ' parts . The technical name for the prompter was the ' book - holder ' . . . . It does not ...
Page 33
... plot scenes , thereby revealing most vividly the design of Shakespeare's architecture : " For as long as the Edmund sub - plot runs parallel to the main plot , it is staged on the second level of the multiple stage . As the two plots ...
... plot scenes , thereby revealing most vividly the design of Shakespeare's architecture : " For as long as the Edmund sub - plot runs parallel to the main plot , it is staged on the second level of the multiple stage . As the two plots ...
Page 97
... plot runs parallel to the main plot , it is staged on the second level of the multiple stage . As the two plots merge into one , the staging merges also , and the final 198 See pp . 80 ff . episodes of the combined action are played on ...
... plot runs parallel to the main plot , it is staged on the second level of the multiple stage . As the two plots merge into one , the staging merges also , and the final 198 See pp . 80 ff . episodes of the combined action are played on ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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Common terms and phrases
action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised