On Producing ShakespeareB. Blom, 1964 - 335 pages |
From inside the book
Results 1-3 of 23
Page 30
... person , but since it must be difficult to distinguish their functions it is simple to assume that they were . ” 1 Since we are embarked upon a voyage of conjecture , we may grate- fully use the person of the book - keeper for our ...
... person , but since it must be difficult to distinguish their functions it is simple to assume that they were . ” 1 Since we are embarked upon a voyage of conjecture , we may grate- fully use the person of the book - keeper for our ...
Page 31
... person . The entry of Tawyer with his trumpet and of Bottom with ' the ass - head ' tells us who this masterful person was : he was the stage - manager of Shakespeare's company , possibly Heminge himself or his friend Condell . . . ” 2 ...
... person . The entry of Tawyer with his trumpet and of Bottom with ' the ass - head ' tells us who this masterful person was : he was the stage - manager of Shakespeare's company , possibly Heminge himself or his friend Condell . . . ” 2 ...
Page 129
... person of a joint - stool before a bench of justices consisting of the disguised Kent , the Fool and Tom o ' Bedlam 67 ; or Jaques ' cadenza of the seven ages of man ( imagine a Barrault giving us the whole gallery in succession ) 68 ...
... person of a joint - stool before a bench of justices consisting of the disguised Kent , the Fool and Tom o ' Bedlam 67 ; or Jaques ' cadenza of the seven ages of man ( imagine a Barrault giving us the whole gallery in succession ) 68 ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised