On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 75
... once in the thick of the battle . Here too a loud and prolonged Alarum marks the transition of both time and place . But the fact is that poets and actors often recognise when it is justifiable to break the laws and principles ...
... once in the thick of the battle . Here too a loud and prolonged Alarum marks the transition of both time and place . But the fact is that poets and actors often recognise when it is justifiable to break the laws and principles ...
Page 82
... once again pass through the right - hand door on to the Platform and across to the left - hand door . But immediately after their departure , the battle - trumpet blows , the narrative ceases to be domestic and intimate , and moves once ...
... once again pass through the right - hand door on to the Platform and across to the left - hand door . But immediately after their departure , the battle - trumpet blows , the narrative ceases to be domestic and intimate , and moves once ...
Page 243
... once.163 This admirable directness of procedure is a conspicuous feature of Richard III . Turning page after page of the Folio , one is left with the impression that the main sequence of the play is acted out on the naked Platform , and ...
... once.163 This admirable directness of procedure is a conspicuous feature of Richard III . Turning page after page of the Folio , one is left with the impression that the main sequence of the play is acted out on the naked Platform , and ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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Common terms and phrases
action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised