On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 112
... lines . Yet it is proper to pause and consider how often , even in this respect , we are dis- appointed to - day . The plain meaning of a sentence , at least from the earlier plays before the poet had developed the compressed com ...
... lines . Yet it is proper to pause and consider how often , even in this respect , we are dis- appointed to - day . The plain meaning of a sentence , at least from the earlier plays before the poet had developed the compressed com ...
Page 158
... lines " or types of part appropriate to each of the principal actors and boys . And already it is apparent that a study of the similar parts of the same " line " can help in forming our idea of Shakespeare's intended characterisation ...
... lines " or types of part appropriate to each of the principal actors and boys . And already it is apparent that a study of the similar parts of the same " line " can help in forming our idea of Shakespeare's intended characterisation ...
Page 170
... lines " are more elastic than this . But we are surely right to follow Baldwin in studying the individuals of the company , and if we were rebuilding a Shakespearian repertory , we should provide a representative capable of performing ...
... lines " are more elastic than this . But we are surely right to follow Baldwin in studying the individuals of the company , and if we were rebuilding a Shakespearian repertory , we should provide a representative capable of performing ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised