On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 70
... kind of reminder ; as if these were the points where the noise becomes obtrusive above the dialogue . This can only be tested in practice , but we may take it for granted that a little will go a long way in creating the effect , and the ...
... kind of reminder ; as if these were the points where the noise becomes obtrusive above the dialogue . This can only be tested in practice , but we may take it for granted that a little will go a long way in creating the effect , and the ...
Page 71
... kind of sound for the famous knocking in Macbeth , different , for instance , from the knocking in Brutus ' orchard ; or to hit the appropriate timbre for the little bell which tells Macbeth that his " drinke is ready " ; to make the ...
... kind of sound for the famous knocking in Macbeth , different , for instance , from the knocking in Brutus ' orchard ; or to hit the appropriate timbre for the little bell which tells Macbeth that his " drinke is ready " ; to make the ...
Page 111
... kind ) their performance . Shakespeare probably wrote , as most playwrights do , for an ideal performance , but he shaped his plays for his fellow - actors , asking them for the best they could do — and sometimes ( as genius will ) for ...
... kind ) their performance . Shakespeare probably wrote , as most playwrights do , for an ideal performance , but he shaped his plays for his fellow - actors , asking them for the best they could do — and sometimes ( as genius will ) for ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised