On Producing ShakespeareB. Blom, 1964 - 335 pages |
From inside the book
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Page 97
... interesting development of this running sequence is that of the prison episode in Measure for Measure . This begins at the opening of Act III and continues until the end of IV . iii ( from page 70 to page 78 in the Folio ) , and is ...
... interesting development of this running sequence is that of the prison episode in Measure for Measure . This begins at the opening of Act III and continues until the end of IV . iii ( from page 70 to page 78 in the Folio ) , and is ...
Page 155
... interesting field for speculation - if not research - is to be found among the individual personalities of the Chamberlain's Men . We must remember that Shakespeare was writing his plays not only for a particular playhouse but also for ...
... interesting field for speculation - if not research - is to be found among the individual personalities of the Chamberlain's Men . We must remember that Shakespeare was writing his plays not only for a particular playhouse but also for ...
Page 159
... interesting to find Iago and Enobarbus in the succession . Baldwin hits it off when he says that " the funda- mental characteristic of Lowin is a certain bluff gruffness , which may be of the ' honest ' soldier type , or that of the ...
... interesting to find Iago and Enobarbus in the succession . Baldwin hits it off when he says that " the funda- mental characteristic of Lowin is a certain bluff gruffness , which may be of the ' honest ' soldier type , or that of the ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised