On Producing ShakespeareB. Blom, 1964 - 335 pages |
From inside the book
Results 1-3 of 81
Page 88
... give all my fame , " says their attendant Boy , " for a Pot of Ale , and Safetie . " We may notice certain recurrent devices by which Shakespeare gives dramatic interest to the pitched battle itself : the mere instruc- tion to his hired ...
... give all my fame , " says their attendant Boy , " for a Pot of Ale , and Safetie . " We may notice certain recurrent devices by which Shakespeare gives dramatic interest to the pitched battle itself : the mere instruc- tion to his hired ...
Page 220
... gives us the character but also sometimes hints at how we should react to it . Ulysses ' portrait of Diomed— ' Tis ... give some foyle ( perhaps ) to my Behaviours : But let not therefore my good Friends be greev'd ( Among which number ...
... gives us the character but also sometimes hints at how we should react to it . Ulysses ' portrait of Diomed— ' Tis ... give some foyle ( perhaps ) to my Behaviours : But let not therefore my good Friends be greev'd ( Among which number ...
Page 301
... give reality to the poetical characterisation . ( Creation in Words — of Character , see especially pp . 221 ff . ) 122 The end of the scene , the coda between Macbeth and Lady Macbeth , shows the poet's technique at its busiest . It is ...
... give reality to the poetical characterisation . ( Creation in Words — of Character , see especially pp . 221 ff . ) 122 The end of the scene , the coda between Macbeth and Lady Macbeth , shows the poet's technique at its busiest . It is ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised