On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 73
... fact do in this matter ? With his scene - rotation already mapped out , he chooses a door for his first entry and the rest follow almost in- evitably from that initial choice . The result will read like very plain common sense , but it ...
... fact do in this matter ? With his scene - rotation already mapped out , he chooses a door for his first entry and the rest follow almost in- evitably from that initial choice . The result will read like very plain common sense , but it ...
Page 82
... fact that the house - façade is permanently before the eye makes this task too a simpler one ; through the very fact of familiarity it becomes easy to look through the visible scene , to forget it and ignore it . ( ix ) Battle Sequences ...
... fact that the house - façade is permanently before the eye makes this task too a simpler one ; through the very fact of familiarity it becomes easy to look through the visible scene , to forget it and ignore it . ( ix ) Battle Sequences ...
Page 239
... fact that between 1601 and 1604 the poet's creative energy was in some measure in abeyance , that Troilus and Cressida ( 1601-2 ) , All's Well That Ends Well ( 1602-3 ) , and Measure for Measure ( 1604-5 ) , all show signs of tiredness ...
... fact that between 1601 and 1604 the poet's creative energy was in some measure in abeyance , that Troilus and Cressida ( 1601-2 ) , All's Well That Ends Well ( 1602-3 ) , and Measure for Measure ( 1604-5 ) , all show signs of tiredness ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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Common terms and phrases
action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised