On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 281
... especially p . 146 ; see also pp . 88 f . 48 The Prince of Cumberland : that is a step . . . a clear case of the normal soliloquising position , with another conversation up- stage . ( Positioning , see especially p . 137 ) The ...
... especially p . 146 ; see also pp . 88 f . 48 The Prince of Cumberland : that is a step . . . a clear case of the normal soliloquising position , with another conversation up- stage . ( Positioning , see especially p . 137 ) The ...
Page 296
... especially pp . 222 ff . ) II Senit sounded . The usual sign of a big formal entry , with the appropriate pomp and circumstance to indicate that Macbeth and his Lady have achieved the object of their ambition . ( Music , see especially ...
... especially pp . 222 ff . ) II Senit sounded . The usual sign of a big formal entry , with the appropriate pomp and circumstance to indicate that Macbeth and his Lady have achieved the object of their ambition . ( Music , see especially ...
Page 297
... especially pp . 240 f . ) • 74 In the scene of Macbeth's persuasion of the murderers , there is less than the usual objectivity : it was he , in the times past , which held you so under fortune , Which you thought had been our innocent ...
... especially pp . 240 f . ) • 74 In the scene of Macbeth's persuasion of the murderers , there is less than the usual objectivity : it was he , in the times past , which held you so under fortune , Which you thought had been our innocent ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised