On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 73
... entry and the rest follow almost in- evitably from that initial choice . The result will read like very plain common sense , but it is worth emphasising the simplicity because it makes for remarkable clarity in presenting a swift ...
... entry and the rest follow almost in- evitably from that initial choice . The result will read like very plain common sense , but it is worth emphasising the simplicity because it makes for remarkable clarity in presenting a swift ...
Page 75
... entries are made through the one door in the rear wall , so as to give the impression that there is only one way out of the hut to the stormy heath outside , 163 Modern scholars speak of a " law of re - entry " which Cranford Adams ...
... entries are made through the one door in the rear wall , so as to give the impression that there is only one way out of the hut to the stormy heath outside , 163 Modern scholars speak of a " law of re - entry " which Cranford Adams ...
Page 77
... entry : the Servant uses the L door , which we may associate with the domestic quarters of the house ; Calpurnia naturally follows her lord through the curtain . Decius and all the rest of Caesar's visitors use the only other available ...
... entry : the Servant uses the L door , which we may associate with the domestic quarters of the house ; Calpurnia naturally follows her lord through the curtain . Decius and all the rest of Caesar's visitors use the only other available ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised