On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 76
... direction appears not to matter , but if we work backwards from the end of the scene , we can argue thus : the rendez - vous is Pompey's porch , and thither Cassius may be presumed to have been heading when he first appeared on the R ...
... direction appears not to matter , but if we work backwards from the end of the scene , we can argue thus : the rendez - vous is Pompey's porch , and thither Cassius may be presumed to have been heading when he first appeared on the R ...
Page 80
... direction should be established . Aeneas has entered L ( let us say ) , the others who have come for Cressida have entered R : L therefore is the direction towards Cressida's house , and both Aeneas and the rest of the party will go out ...
... direction should be established . Aeneas has entered L ( let us say ) , the others who have come for Cressida have entered R : L therefore is the direction towards Cressida's house , and both Aeneas and the rest of the party will go out ...
Page 154
... directions are epithets or phrases that help us to interpret the poet's characterisation . We learn from the Folio that ... direction , indicating action or appearance , helps to suggest to the player his demeanour at a certain moment ...
... directions are epithets or phrases that help us to interpret the poet's characterisation . We learn from the Folio that ... direction , indicating action or appearance , helps to suggest to the player his demeanour at a certain moment ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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Common terms and phrases
action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised