On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 133
... close to us in the audience , another remote . This , be it noticed , is the effect not only of the size but also of the central position of the platform . The impression of near and far , of perspective , makes lively sense of many ...
... close to us in the audience , another remote . This , be it noticed , is the effect not only of the size but also of the central position of the platform . The impression of near and far , of perspective , makes lively sense of many ...
Page 137
... close to the audience at the front of the Platform while the musicians and Thurio and the faithless Proteus are under Silvia's window . After some time , Julia says hurriedly : " Peace , stand aside , the company parts , " and while she ...
... close to the audience at the front of the Platform while the musicians and Thurio and the faithless Proteus are under Silvia's window . After some time , Julia says hurriedly : " Peace , stand aside , the company parts , " and while she ...
Page 174
... close - up " of the cinema , it would not be . The poetry takes the place of the lighting and the close focus . The limitation of mechanical means in the Elizabethan theatre is not wholly a disadvantage : for this very limitation breeds ...
... close - up " of the cinema , it would not be . The poetry takes the place of the lighting and the close focus . The limitation of mechanical means in the Elizabethan theatre is not wholly a disadvantage : for this very limitation breeds ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised