On Producing ShakespeareB. Blom, 1964 - 335 pages |
From inside the book
Results 1-3 of 86
Page 139
... audience to feel as if they were between the two groups , as if they too ( like the con- spirators ) were poking fun at the infatuated steward's back.98 I The sense of intimate contact between actors on this Platform and audience in the ...
... audience to feel as if they were between the two groups , as if they too ( like the con- spirators ) were poking fun at the infatuated steward's back.98 I The sense of intimate contact between actors on this Platform and audience in the ...
Page 144
... audience with him as confederates , he will sometimes associate them with those whom he wishes to make his dupes . When , standing in the central area within the Stage - Posts , he is in the full career of his ridiculous lies about the ...
... audience with him as confederates , he will sometimes associate them with those whom he wishes to make his dupes . When , standing in the central area within the Stage - Posts , he is in the full career of his ridiculous lies about the ...
Page 242
... audience . Any such expedient on the picture - stage throws the audience , as it were , back upon itself : the spell is interrupted as it is when the cinema - projector breaks down . In the Globe the audience are always crowded round ...
... audience . Any such expedient on the picture - stage throws the audience , as it were , back upon itself : the spell is interrupted as it is when the cinema - projector breaks down . In the Globe the audience are always crowded round ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised