On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 100
... already over and has to be cleared for the dancing , is probably set and disclosed in the Study - because it is already over . Scenes of conference , involving the use of a table , seem to be dis- closed in the Study . King Henry IV ...
... already over and has to be cleared for the dancing , is probably set and disclosed in the Study - because it is already over . Scenes of conference , involving the use of a table , seem to be dis- closed in the Study . King Henry IV ...
Page 227
... already been pointed out that the unlocalised stage by its very neutrality of aspect helps to bring them to life , and it has been suggested that the miming of the Chamberlain's Men would also contribute to this end . Meanwhile we must ...
... already been pointed out that the unlocalised stage by its very neutrality of aspect helps to bring them to life , and it has been suggested that the miming of the Chamberlain's Men would also contribute to this end . Meanwhile we must ...
Page 273
... already present in the opening dialogue . Iago's speeches are an excellent example of the new conciseness ; as a good speaker delivers them , we get much more than plain sense from them ; they breed drama by poetical means : one ...
... already present in the opening dialogue . Iago's speeches are an excellent example of the new conciseness ; as a good speaker delivers them , we get much more than plain sense from them ; they breed drama by poetical means : one ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised