On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 54
... Shakespeare certainly does not offend by capricious impracticability , and one imagines he would be quick to see that the dramatic needs of the story were more important than historical or national or period accuracy . This ...
... Shakespeare certainly does not offend by capricious impracticability , and one imagines he would be quick to see that the dramatic needs of the story were more important than historical or national or period accuracy . This ...
Page 110
... Shakespeare as one of their playwrights . Shakespeare had a powerful effect upon their " box - office " receipts , but it is con- versely probable that they had a notable effect upon Shakespeare's plays : they were his acting material ...
... Shakespeare as one of their playwrights . Shakespeare had a powerful effect upon their " box - office " receipts , but it is con- versely probable that they had a notable effect upon Shakespeare's plays : they were his acting material ...
Page 326
... Shakespeare , 43 , 62 ff . , 75 , 89 , 284 PEACHAM , HENRY , 57 ( note ) , 60 Pepys , Samuel , 11 Phillips ... Shakespeare , 38 ff . ( See also Settings ) Punctuation , of Shakespeare's text , 27 f . , 113 , 120 Punning , by Shakespeare ...
... Shakespeare , 43 , 62 ff . , 75 , 89 , 284 PEACHAM , HENRY , 57 ( note ) , 60 Pepys , Samuel , 11 Phillips ... Shakespeare , 38 ff . ( See also Settings ) Punctuation , of Shakespeare's text , 27 f . , 113 , 120 Punning , by Shakespeare ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised