On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 38
... Elizabethan audience . A modern producer will do well perhaps to use no furnishings of a period later than the Elizabethan , but need set himself no bounds before that date . It is 33 In the Appendix at the end of this book will be ...
... Elizabethan audience . A modern producer will do well perhaps to use no furnishings of a period later than the Elizabethan , but need set himself no bounds before that date . It is 33 In the Appendix at the end of this book will be ...
Page 54
... Elizabethan " 81 ; and he suggests that Shakespeare , by this Elizabethan colour , is deliberately expressing his own feelings about his fatherland . But in fact there is what might be called an Eliza- bethan substructure in all the ...
... Elizabethan " 81 ; and he suggests that Shakespeare , by this Elizabethan colour , is deliberately expressing his own feelings about his fatherland . But in fact there is what might be called an Eliza- bethan substructure in all the ...
Page 78
... Elizabethan dramatists and their audiences would be quick to recognise the every- day geography of Jack Cade's ... Elizabethan town house — a street - door with knocker , and two doorposts support- ing an overhanging bay - window.166 ...
... Elizabethan dramatists and their audiences would be quick to recognise the every- day geography of Jack Cade's ... Elizabethan town house — a street - door with knocker , and two doorposts support- ing an overhanging bay - window.166 ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised