On Producing ShakespeareB. Blom, 1964 - 335 pages |
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Page 76
... Brutus and Cassius alone on the Platform . The repeated Flourish and Shout , which so disturb Brutus , are of course made on the right - hand side of the Tiring - House , and the re- appearance of Caesar followed by the " chidden Traine ...
... Brutus and Cassius alone on the Platform . The repeated Flourish and Shout , which so disturb Brutus , are of course made on the right - hand side of the Tiring - House , and the re- appearance of Caesar followed by the " chidden Traine ...
Page 94
... Brutus ' " poore remaines of friends " in Scene v . The pulling of the curtain , as we have seen , 194 helps to save Brutus from violating the " law of re- entry " : he returns immediately by the L door in a strongly con- trasted mood ...
... Brutus ' " poore remaines of friends " in Scene v . The pulling of the curtain , as we have seen , 194 helps to save Brutus from violating the " law of re- entry " : he returns immediately by the L door in a strongly con- trasted mood ...
Page 96
Ronald Watkins. combatants therefore enter from the R door or from Study R. Brutus and young Cato are engaged in a fighting retreat : their backs are to Brutus ' base , the left - hand side of the Tiring - House . Brutus drives some of ...
Ronald Watkins. combatants therefore enter from the R door or from Study R. Brutus and young Cato are engaged in a fighting retreat : their backs are to Brutus ' base , the left - hand side of the Tiring - House . Brutus drives some of ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
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action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised