On Producing ShakespeareB. Blom, 1964 - 335 pages |
From inside the book
Results 1-3 of 42
Page 96
... Antony will presumably make his entry from the R door or from Study R ; his departure will certainly be towards the left - probably Study L - for he is making for Octavius ' tent , and we may now assume that Brutus ' base is captured ...
... Antony will presumably make his entry from the R door or from Study R ; his departure will certainly be towards the left - probably Study L - for he is making for Octavius ' tent , and we may now assume that Brutus ' base is captured ...
Page 156
... Antony ( Antony and Cleopatra ) , Timon , Pericles . We have already noticed that he played Bassanio and Prince Hal , and no doubt the weight of his personality preserved the balance where nowadays these plays usually suffer distortion ...
... Antony ( Antony and Cleopatra ) , Timon , Pericles . We have already noticed that he played Bassanio and Prince Hal , and no doubt the weight of his personality preserved the balance where nowadays these plays usually suffer distortion ...
Page 159
... Antony was perhaps his first big chance , and it is noteworthy that the obvious difference between this Antony and the later hero of Antony and Cleopatra corresponds with a difference in calibre between Cundall and Burbadge . 100 ...
... Antony was perhaps his first big chance , and it is noteworthy that the obvious difference between this Antony and the later hero of Antony and Cleopatra corresponds with a difference in calibre between Cundall and Burbadge . 100 ...
Contents
INTRODUCTION TO SECOND EDITION | 16 |
THE ACTING TRADITION OF | 108 |
31 | 117 |
Copyright | |
10 other sections not shown
Other editions - View all
Common terms and phrases
action actors Alarum appearance atmosphere audience Baldwin banquet Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Creation in Words Creation in Words—of Desdemona dialogue door dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago imagery imagination Julius Caesar King John King Lear Lady Macbeth lines Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming murder opening Othello perhaps play players plot poet poet's poetic drama Prince prompt-book rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare sleepe soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised