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cannot be defended any more than Dante, who calls God Ju

piter.

"O sommo Giove

Que fosti 'n terra per noi crucifisso." Purgat. c. 6. l. 118.

Gross and absurd as this may seem to us, Pulci thought it was worth borrowing:

"O giusto, O santo, O eterno Monarca,

O sommo Giove per noi crucifisso." Morg. Mag. c. 2. l. 1. The lines above cited contain a combination of several of Milton's favorite phrases. We have "universal nature," Lyc. 60. "While the jolly hours lead on propitious May," Son. 1. “Eternal summer." Com. 988.

There is, however, a difficulty in the passage. All the verbs except led are in the present tense. Should we not therefore in order to preserve the action unbroken and to save the concord of the sentence, read, as in sonnet i. "Leads on," &c.

XIV." So hand in hand they passed, the loveliest pair

That ever since in love's embraces met,

Adam the goodliest man of men since born

His sons, the fairest of her daughters Eve.” B.4. l. 324. This passage has always been the crux criticorum. Addison, and Bentley, and Campbell, have successively decided that it is indefensible, and contains a contradiction in terms. It is very certain, however, that it is a form of expression, which was not unknown to the Greeks and Romans, and was in fact used by them, when they intended to make a very bold comparison. Milton is said to have discovered the art of expressing one degree higher than the superlative, and the lines now before us show that he could also express a second comparative, or a degree more strong than the usual comparative, yet lower than the superlative. The last, however, was not original in him. Two instances occur in Virgil: 66 Ipse ante alios pulcherrimus omnes

Infert se socium Eneas, atque agmina jungit.” 4 Æ. 141. The other is an application of the same phrase to Tur* Prof. Adams, Lect. 24.

nus, 7. Æ. 54. In Cicero this singular expression is still more strongly marked. "Hoc tu scriptore, hoc consiliario, hoc ministro, omnium non bipedum solum sed etiam quadrupedum impurissimo, rempublicam perdidisti." Pro Domo § 18. The most striking and decisive instance, however, is in the LXX version of the 2 Maccabees, 7 chap. I. 41. "Erxarn TWO Εσχατη των viwv ʼn μntng ersλevtno" "The mother died the last of her sons." In king James' translation it is rendered, "last of all, after the sons, the mother died.” There can be no doubt, af

ter these citations, that the form of expression may be supported by sufficient authorities; but it is another question, whether the example of Milton should be suffered to acquire the force of a rule. In most instances it should, but as he stands alone in this bold imitation of antiquity, and as it is determined by general consent that he has offended against the English idiom, it will be more safe to understand and defend, than to admire or follow him.

XV.

“All but the wakeful nightingale;

She all night long, her amorous descant sung.” B. 4. 1. 603.

He probably remembered a passage from one of Petrarch's pieces in honor of the Colonna family.

"El rosignuol, que dolcemente all' ombra

Tutte le notti si lamenta, e piange,

D' amorosi pensieri il cor ne 'ngombra.” Parte i. son. 10. l. 11,

XVI. "Here Love his golden shafts employs." B. 4. l. 763.

Alluding to the two kinds of arrows used by Cupid:

"Fugat hoc, facit illud amorem;

Quod facit auratum est et cuspide fulget acuta:

Quod fugat obtusum est et habet sub arundine plumbum.”
Met. Lib. i. 1. 471.

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She needed, virtue-proof." B. v. l. 384.

By analogy this should mean impenetrable by virtue, for that is the power of proof, when used in composition with a substantive, as in the common phrases, " bullet-proof," "fire

proof," &c. Milton has applied it in one other case, but there he conforms to the custom.

"Under the shady roof

Of branching elm, star-proof." Arcad. 2d. song.

It is not easy to conjecture the precise meaning of the first passage.

XVIII. "Whatever earth, all bearing mother, yields." B. 5. 1. 388. The same epithet occurs in his fifth Elegy, where, in describing Tellus, he says:

"Quid enim formosius illis

Pandit ut omniferos luxuriosa sinus.” 1. 58.

XIX. Remorse occurs six times in Paradise Lost, and in five of them it undoubtedly has the old and forgotten but exquisite meaning of sympathy, or tender regret. phael asks:

"How shall I relate

-without remorse

Thus when Ra

The ruin of so many, glorious once, &c.” B. 5. l. 564.

And when Michael is commanded to execute the sentence on

man:

"Haste thee, and from the Paradise of God,

Without remorse, drive out the sinful pair.” B. 11. 1. 105.

The other instances are in B. 1. l. 605-B. 4. l. 109-and B. 5. 1. 134. Its signification is doubtful or different only in B. 10. 1. 1098. Shakspeare always uses it as Milton does. Thus Buckingham says to Gloucester in the course of the solemn farce practised on the Mayor, &c.

"Well we know your tenderness of heart

And gentle, kind, effeminate remorse.' ." Rich. 3, Act. 3. sc. 7. In Othello, act 3, sc. 3, it is made to express a generous motive for crime.

XX. "They eat, they drink, and in communion sweet,
Quaff immortality and joy." B. 5. 1. 632.

He has something very similar in one of his epitaphs.

"Etherios haurit latices et gaudia potat

Ore sacro." Epit: Damon. 1. 206.

XXI. Abdiel, repeating the argument of Satan in order to

refute it says:

"Unjust, thou say'st,

Flatly unjust, to bind with laws the free,

And equal over equals to let reign,

One over all with unsucceeded power." B. 5. L. 821.

Satan, as the ground of his argument, declares, that a “monarchy" has been "assumed" over those who were “ ordained to govern, not to serve," and that they ought not to acknowledge an authority which they had not granted. If, therefore, Abdiel reports Satan fairly, we should perhaps read, "One over all with unconceded power."

XXII. The armies of God having commenced their march against the rebellious angels proceeded long without opposition until

"At last,

Far in th' horison to the North appear'd
From skirt to skirt a fiery region, stretched

In battailous aspect," &c. B. 6. l. 81.

This region was no other, than

"The banded powers of satan hasting on

With furious expedition."

In fact, the two words region and powers are in strict apposition.. Should we not, then, substitute legion?

XXIII. “And thus his own undaunted heart explores." B. 6. l. 113.

This line is succeeded by the vehement invective of Abdiel. It is without meaning, unless we make it synonymous with exhibit, for which we have the authority of Stephanus, Explorare antiqui pro exhibere usi sunt.

XXIV. "They shall fear we have disarm'd

The thunderer of his only dreaded bolt.” B. 6. l. 490.

He had before applied this singular idea to the inventor of bombs.

XXV.

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Qui lurida creditur arma

Et trifidum fulmen surripuisse Fovi." Epig. 6. 1. 4.

"Whence Adam soon repealed

The doubts that in his heart arose." B. 7. 1. 59.

It is hard to believe that a phrase so inelegant, as "to repeal a doubt," should be charged to Milton. Repelled is the easiest change, and seems probable, for in the same book we have "repelled their counsels," 1. 610, and in B. 8. l. 642, "repel temptation."

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In Rhodope, where woods and rocks had ears, &c. B. 7. 1. 35.

So in his lines Ad Patrem, but somewhat quaintly from the force of "addidit."

"Sylvestres decet iste choros, non Orphea cantus,

Qui tenuit fluvios et quercubus addidit aures? 1. 53.

XXVII. "Meanwhile inhabit lax, ye powers of heaven” B. l. 162. A Latinism. Habitare laxè et magnificè voluit, duasque magnas et nobiles domos conjungere. Cic. pro Dom. 44.

XXVIII.

"Earth in her rich attire

Consummate lovely smiled." B. 7.1. 502.

As it now stands consummate is used adverbially, and qualifies lovely. If a pause be placed between them, so as to attract consummate to earth, the passage will have a more poetical meaning.

XXIX.

"Solicit not thy thoughts with matters hid." B. 8.L 167. Solicit is here synonymous with disturb or disquiet. As in Virg. Æ. 7. 1. 80, we have Rex solicitus monstris, the king anxious on account of the prodigies; and in Od. 1. 1. 26, solicitat mare, disturbs the sea.

itation of Milton says:

XXX.

"And anxious fears solicit my weak breast."

" Or cold

Horace Lib. 3.

Dryden in im

Climate or years damp my intended wing." B. 9. 1. 44.

This is one of Milton's cherished prejudices. He complained of the climate of his country when he was in Italy in

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