King. Thou dost belie him, Percy, thou dost belie him; I tell thee, He durst as well have met the devil alone As Owen Glendower for an enemy. Art thou not ashamed? But, sirrah, henceforth 115 Or Send me your prisoners with the speediest means, 120 [Exeunt King Henry, Blunt, and train. Hot. An if the devil come and roar for them, I will not send them: I will after straight North. What, drunk with choler? stay and pause a while: 125 Hot. Re-enter WORCESTER. Speak of Mortimer! 124. you will] you 'l Ff. 130 ..] Capell; 128. Albeit I 115. I tell thee] A separate line Steevens (1793); begins line 116 Qq, Ff. 122. you] ye Ff. 124. Exeunt Exit King Qq, Ff. 125. An if] Capell; And if Qq, Ff. make a] Qq; Although it be with Ff. 129. a while] awhile Ff 1-3. enter Worcester] Capell; Enter Wor. (or Worcester) Qq 1-4, Ff; omitted the rest. 113. belie him] give a false account of him, your praise of him is undeserved. Cf. Sonnets, cxxx. 14. 114. encounter with] encounter, as often elsewhere. 118. This line may be scanned-Art thou nót | ashamed? | But, sír | rah, hén ceforth. "Henceforth " (pronounced as "henesforth") is a tri syllable as in: "And henceforth parle with our naked swords," Marlowe, Edward II. 1. i (Q 1). Cf. Chaucer, Hous of Fame, ii. 274: "Now hennèsforth I wol thee teche." Pope and others have attempted to regularise the metre by making various trenchant changes in the text. 121. in ... kind] So in Beaumont and Fletcher, The Elder Brother, IV. i: "Restore my daughter. Or you shall hear from me in such a kind ... As you will blush to answer." 130. Re 125. if... them] See 1 Peter v. 8, and cf. Massinger, The Picture, II. ii : "if they do not Charge desperately upon the cannon's mouth, Though the devil roar'd, and fight like dragons, hang me!" See also Beaumont and Fletcher, Monsieur Thomas, II. ii, and Massinger, The Guardian, II. iv: "we will bring them in, although the devil Stood roaring by, to guard them." 128. Albeit . . . hazard] Delius and others adopt F reading Although it be with hazard. Cf., however, Rape of Lucrece, 155, and King John, 11. i. 71: "To make a hazard of new fortunes here." 'Zounds, I will speak of him; and let my soul Want mercy, if I do not join with him: Yea, on his part I'll empty all these veins, And shed my dear blood drop by drop in the dust, As high in the air as this unthankful king, North. Brother, the king hath made your nephew mad. Wor. Who struck this heat up after I was gone? Wor. I cannot blame him: was not he proclaim'd North. He was; I heard the proclamation: 135 [To Wor. And then it was when the unhappy king,- 131. 'Zounds] Yes Ff. 134. in the] Qq 1-4; i'th Qq 5-8, Ff 1-3; i' th' F 4. 140 145 133. Yea, on his part] Qq; In his behalfe Ff. 135. down-trod] Qq; 136. in the] Qq 1-4; in'th Qq 5-8; i'th 137. Bolingbroke] Bullingbrooke (or Bullenbrooke) throughout 138. To Wor.] Rowe. in Qq; Bullingbrooke throughout in Ff. not he] he not Ff. 135. down-trod] The downfall of F is seemingly a misprint for downfaln (F 4). 137. canker'd] malignant, ill-natured, as in King John, 11. i. 194. Marston, The Fawne, iv: "The baseness of a cankerd churle." 143. an eye of death] Johnson explains an eye of death as an eye menacing death," and observes that the King seems to be described as trembling with rage rather than fear. This interpretation receives support from a passage in Lust's Dominion, v. v: "Zar. What would you have me do? Isa. To kill this Moor. Zar. I'll cast an eye of death upon my face; I'll be no more his slave. And, by yon setting sun, this hand and this Shall rid you of a tyrant." Cf. Marlowe, Tamburlaine, Part II. III. v: "See'st thou not death within my wrathful looks?"; Greene, Defence of Conny-Catching (Grosart, xi. 92) "Marian looking with looks full of 145. death, made him this answer and Coriolanus, 111. iii. 70. Wright explains as "an eye of deadly fear," and Elton as an eye "fixed and glazed, like a corpse's." 145. proclaim'd] See Introd. p. xxxvii. 146. dead is] Many instances of this inversion might be cited from sixteenth century writers. See, e.g., Roy and Barlowe, Rede me, etc., 1528 (Arber, p. 37): "was it for age that he deade is?" and John Fisher, Mourning for the Countess of Richmond: "mother of the King that dead is, whose soul God pardon." 149. Whose. us] i.e. the wrongs done to us by Richard. Cf. Richard II. II. i. 238, 239, and Winter's Tale, v. i. 8 : "Whilst I remember Her and her virtues, I cannot forget My blemishes in them." New Eng. Dict. quotes from Wyclif: "To oure dettouris pat is to men bat han synned in vs." Wright explains "in us of us, caused by us.' 99 as "in consequence For the subjec Upon his Irish expedition; 150 From whence he intercepted did return To be deposed and shortly murdered. Wor. And for whose death we in the world's wide mouth 155 Hot. But, soft, I pray you; did King Richard then Heir to the crown? North. That wish'd him on the barren mountains starve. 160 That you a world of curses undergo, Being the agents, or base second means, 165 The cords, the ladder, or the hangman rather? O, pardon me that I descend so low, To show the line and the predicament 170 152. murdered] murthered Ff. 159. starve] staru'd Ff. murtherous Qq, Ff. 163. subornation,] subornation,- Capell; subornation? Qq, F. 166. rather?] rather, Q 1; rather: Q 2. 167. me] Qq 1-4; if 156. Edmund] Q I; omitted the rest. 162. wear] wore Ff. 163. murderous] Rowe; the rest. tive use of the pronoun in "whose wrongs cf. Tempest, V. i. 119: 'pardon me my wrongs.' 151. intercepted] being stopped. Cf. Richard III. IV. iv. 136: "Who intercepts my expedition ? 152. shortly] shortly after, as in Twelfth Night, I. ii. 39. 154. scandalized] disgraced. So in Two Gentlemen of Verona, 11. vii. 61. 159. That ... starve] See Introd. p. xxxvii. For the construction of "wished him starve" cf. All's Well that Ends Well, 11. i. 134. 163. Of... subornation] of being suborned to murder, of aiding and abetting murderers. 165. second means] inferior agents, the mere instruments. 168. line] degree, as in III. ii. 85 post. New Eng. Dict. quotes from Extracts Aberd. Reg., 1528: "Skiparis and seruandis of euery lyne." 168. predicament] category, as in Merchant of Venice, Iv. i. 357. So in J. Howell, Familiar Letters, 1. xiii: "I hope you will put me somwher amongst yours [your friends] being contented to be . . . the lowest in the predicament of your friends." Originally a term used by logicians in the sense of Aristotle's Kaтeyopía, a classification. 169. range] stand (in ranks), as in Henry VIII. II. iii. 20. 173. Did. both i.e. engaged pledged their nobility and power. 173. behalf cause. New Eng. Dict. Wor. As both of you-God pardon it!-have done, Peace, cousin, say no more: Hot. If he fall in, good night! or sink or swim: 175 180 185 190 190. you] your Qq 5-7. 189. quick189. discontents] 193. un 185. to you] unto you Ff. 186. payment] payments Ff 2-4. conceiving] hyphened by Theobald; quick conveying Ff 3, 4. discontent S. Walker conj., Hudson. steadfast] unsteadfull Qq 7, 8. shows that "behalf" (originally a pre- 176. canker] wild rose, as in Much Ado About Nothing, 1. iii. 28. Beaumont and Fletcher, The Maid in the Mill, v. ii: "Whether she be a white rose, or a canker, is the question"; and Middleton and Rowley, A Fair Quarrel, III. ii. 183. disdain'd] disdainful. Schmidt gives many examples of adjectives in -ed derived from substantives. Cf., e.g., “guiled" in Merchant of Venice, III. ii. 97; and "distressed" (Q 1) for which F reads "distressful" in Othello, 1. iii. 157. 185. answer] discharge. For the play on "debt" and "deaths see note to v. i. 126 post. 192, 193. As spear] Rolfe compares 2 Henry IV. 1. i. 170. Douce refers to a representation on an ivory cabinet (engraved in Carter's Specimens of Ancient Sculpture and Engraving, i. 45) of a knight in armour crossing a narrow stream by making a bridge of his sword. 194. good night !] there's an end!— an exclamation of resignation or despair. See Tyndale, An Answere unto Sir Thomas More's Dialoge: "Mr. More concludeth . . . that whatsoever the church say, it is God's word, though it be not written yet all is right, and none error. And thus good night and good rest"; and Shelton, Don Quixote, Part II. xxxiii: "when we 195 Send danger from the east unto the west, North. Imagination of some great exploit Drives him beyond the bounds of patience. To pluck bright honour from the pale-faced moon, 197. O,] omitted Qq 5-8, Ff. 201. Hot.] omitted Qq 1-4. 200 205 204. fathom-line] Theobald (ed. 2); fadome line Qq 1-4; fadome-line (fadom-line F 4) the rest. come to the pit, all are even, or made so in spite of their teethes and, and good-night." 194. or sink or swim] A proverbial expression of which examples are numerous from Chaucer downward. Cf., e.g., Peele, Edward I. iii: "Then live or die, brave Ned, or sink or swim." 198. To rouse . . . hare!]"Rouse" and "start" were technical terms of the chase, the former being applied to the buck and other big game, the latter to the hare. So in The Noble Arte of Venerie, 1575: "We... unherbor a harte, we.. .rowse a Bucke; we... start a Hare; we bolt a conie ; unkennell a Fox"; Lyly, Midas, Iv. iii: "thou shouldest say, start a hare, rowse the deere"; and Harsnet's Declaration of Popish Impostures, 1603 (p. 82). we ... 201. Hot.] In Qq 1-4 Hot. is omitted and lines 201-208 continue Northumberland's speech. 201-207. By dignities] Warburton compares the vaunt of Eteocles in the Phænissa of Euripides (lines 504-6): ἄστρων ἂν ἔλθοιμ ̓ ἡλίου πρὸς ἀντολὰς καὶ γῆς ἔνερθε, δυνατὸς ὢν δρᾶσαι τάδε, τὴν θεῶν μεγίστην ὥστ ̓ ἔχειν Tupavvida. "I would scale the high heaven to the risings of the stars and of the sun, I would dive beneath the earth, might I thereby win sovereigntyheaven's greatest boon." In Beaumont and Fletcher, The Knight of the Burning Pestle, Induction, Ralph, being asked to speak" a huffing part," recites Hotspur's lines slightly altered: "Bacon thou knowest that I have dived into hell, And sought the darkest pallaces of fiendes "; and Marlowe, Tamburlaine, Part I. IV. iv: "Ye Furies. . . Dive to the bottom of Avernus' pool, And in your hands bring hellish poison up." Hotspur's speech is in the strain of extravagant rhetoric introduced by Senecan tragedy and popularised by Marlowe and other of Shakespeare's predecessors. Munro, Journal of Philology, vi. 77, cites a parallel from Seneca's Thyestes, 289292. 202. pale-faced moon] From Kyd's Spanish Tragedy, III. xii A: "And yonder pale faced Moone." So also in Massinger, The Virgin Martyr, II. ii. ... |