On Producing ShakespeareB. Blom, 1964 - 335 pages |
From inside the book
Results 1-3 of 43
Page 13
... producers , and even sometimes by scholars , that there are many different ways of presenting Shakespeare and every ... producer , in approaching one or other of the plays , to assume that Shakespeare knew more about stagecraft than he ...
... producers , and even sometimes by scholars , that there are many different ways of presenting Shakespeare and every ... producer , in approaching one or other of the plays , to assume that Shakespeare knew more about stagecraft than he ...
Page 151
... producer must here seek some expert elucidation of the Elizabethan social background.131 Falstaff himself suffers if producer and actor have not a firm concep- tion of his social status , if the actor is hail - fellow - well - met with ...
... producer must here seek some expert elucidation of the Elizabethan social background.131 Falstaff himself suffers if producer and actor have not a firm concep- tion of his social status , if the actor is hail - fellow - well - met with ...
Page 276
... producer or player or of the audience ) , if he wishes confirmation of this or that point , may glance back to the fuller explanation above . Our only prompt - book for Macbeth is the Folio text : it is not possible to discuss here the ...
... producer or player or of the audience ) , if he wishes confirmation of this or that point , may glance back to the fuller explanation above . Our only prompt - book for Macbeth is the Folio text : it is not possible to discuss here the ...
Contents
INTRODUCTION TO SECOND EDITION i | 16 |
THE PLAYHOUSE | 17 |
THE PROMPT BOOK | 25 |
Copyright | |
30 other sections not shown
Other editions - View all
Common terms and phrases
acting action actors Adams already Antony appearance atmosphere audience battle begins Brutus calls Cassius Chamber character clear close continuity course create curtains detail dialogue direction door doubt dramatic effect Elizabethan Enter entry especially example eyes face fact Falstaff Folio follow give Globe goes Hamlet hand head hear Henry imagination important instance interesting John Julius Caesar kind King Lear Lady later leave lines looke Lord Macbeth means Measure method murder Nature night once opening Othello performance perhaps person picture Platform play players playhouse plot poet poet's poetic position practice present Prince producer reason Richard Romeo round says scene seems seen sense sequence Shakespeare side soliloquy sometimes speaks speech stage stand Study suggests Tarras tells theatre theme thou turn whole