On Producing ShakespeareB. Blom, 1964 - 335 pages |
From inside the book
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Page 172
... poet's years of " Withdrawal - and - Return " . Always restlessly experimental , he tired of the objectively - drawn figure , made vivid by an unerring choice of significant detail , and taught himself to portray the heart of man . The ...
... poet's years of " Withdrawal - and - Return " . Always restlessly experimental , he tired of the objectively - drawn figure , made vivid by an unerring choice of significant detail , and taught himself to portray the heart of man . The ...
Page 188
Ronald Watkins. 5 THE POET'S STAGECRAFT ITHERTO we have considered the playhouse , the prompt- book , the Book - Keeper's problems , and the accomplishments of the players : it is now time to turn to the poet himself , and re - study his ...
Ronald Watkins. 5 THE POET'S STAGECRAFT ITHERTO we have considered the playhouse , the prompt- book , the Book - Keeper's problems , and the accomplishments of the players : it is now time to turn to the poet himself , and re - study his ...
Page 197
... poet , but the poet counter - attacks by making emotional capital out of the storm . So too at Macbeth's first entry upon the Platform , the exultation of the victorious general is brilliantly combined with the sinister jingle of the ...
... poet , but the poet counter - attacks by making emotional capital out of the storm . So too at Macbeth's first entry upon the Platform , the exultation of the victorious general is brilliantly combined with the sinister jingle of the ...
Contents
INTRODUCTION TO SECOND EDITION i | 16 |
THE PLAYHOUSE | 17 |
THE PROMPT BOOK | 25 |
Copyright | |
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acting action actors Adams already Antony appearance atmosphere audience battle begins Brutus calls Cassius Chamber character clear close continuity course create curtains detail dialogue direction door doubt dramatic effect Elizabethan Enter entry especially example eyes face fact Falstaff Folio follow give Globe goes Hamlet hand head hear Henry imagination important instance interesting John Julius Caesar kind King Lear Lady later leave lines looke Lord Macbeth means Measure method murder Nature night once opening Othello performance perhaps person picture Platform play players playhouse plot poet poet's poetic position practice present Prince producer reason Richard Romeo round says scene seems seen sense sequence Shakespeare side soliloquy sometimes speaks speech stage stand Study suggests Tarras tells theatre theme thou turn whole