On Producing ShakespeareB. Blom, 1964 - 335 pages |
From inside the book
Results 1-3 of 48
Page 38
... later chapter that the greatest of them solved the problem over and over again with a skill which is not generally realised by those who present his plays to - day.3 33 ( ii ) Furnishing and Properties That the Chamberlain's Men were ...
... later chapter that the greatest of them solved the problem over and over again with a skill which is not generally realised by those who present his plays to - day.3 33 ( ii ) Furnishing and Properties That the Chamberlain's Men were ...
Page 128
... later page . 56 For the present purpose , it is enough to observe that Iago's account is highly circumstantial and is recreated for Othello's benefit and ours in lively mime . 57 More often , however , the episode re - enacted in speech ...
... later page . 56 For the present purpose , it is enough to observe that Iago's account is highly circumstantial and is recreated for Othello's benefit and ours in lively mime . 57 More often , however , the episode re - enacted in speech ...
Page 198
... later and greater works , when his imaginative range is still more ambitious than in Henry V , he no longer apologises for his resources . Think , for instance , of Antony and Cleopatra in this respect : the problem is not unlike " in ...
... later and greater works , when his imaginative range is still more ambitious than in Henry V , he no longer apologises for his resources . Think , for instance , of Antony and Cleopatra in this respect : the problem is not unlike " in ...
Contents
INTRODUCTION TO SECOND EDITION i | 16 |
THE PLAYHOUSE | 17 |
THE PROMPT BOOK | 25 |
Copyright | |
30 other sections not shown
Other editions - View all
Common terms and phrases
acting action actors Adams already Antony appearance atmosphere audience battle begins Brutus calls Cassius Chamber character clear close continuity course create curtains detail dialogue direction door doubt dramatic effect Elizabethan Enter entry especially example eyes face fact Falstaff Folio follow give Globe goes Hamlet hand head hear Henry imagination important instance interesting John Julius Caesar kind King Lear Lady later leave lines looke Lord Macbeth means Measure method murder Nature night once opening Othello performance perhaps person picture Platform play players playhouse plot poet poet's poetic position practice present Prince producer reason Richard Romeo round says scene seems seen sense sequence Shakespeare side soliloquy sometimes speaks speech stage stand Study suggests Tarras tells theatre theme thou turn whole