On Producing ShakespeareB. Blom, 1964 - 335 pages |
From inside the book
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Page 93
... Antony's the right - hand side . This is in fact the plan which is simply followed in the sequel . We learn later that the disposition of forces is : Octavius v . Brutus , Antony v . Cassius . In the former of these matches Brutus wins ...
... Antony's the right - hand side . This is in fact the plan which is simply followed in the sequel . We learn later that the disposition of forces is : Octavius v . Brutus , Antony v . Cassius . In the former of these matches Brutus wins ...
Page 96
... Antony will presumably make his entry from the R door or from Study R ; his departure will certainly be towards the left - probably Study L - for he is making for Octavius ' tent , and we may now assume that Brutus ' base is captured ...
... Antony will presumably make his entry from the R door or from Study R ; his departure will certainly be towards the left - probably Study L - for he is making for Octavius ' tent , and we may now assume that Brutus ' base is captured ...
Page 159
... Antony was perhaps his first big chance , and it is noteworthy that the obvious difference between this Antony and the later hero of Antony and Cleopatra corresponds with a difference in calibre between Cundall and Burbadge . 100 ...
... Antony was perhaps his first big chance , and it is noteworthy that the obvious difference between this Antony and the later hero of Antony and Cleopatra corresponds with a difference in calibre between Cundall and Burbadge . 100 ...
Contents
INTRODUCTION TO SECOND EDITION i | 16 |
THE PLAYHOUSE | 17 |
THE PROMPT BOOK | 25 |
Copyright | |
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Common terms and phrases
acting action actors Adams already Antony appearance atmosphere audience battle begins Brutus calls Cassius Chamber character clear close continuity course create curtains detail dialogue direction door doubt dramatic effect Elizabethan Enter entry especially example eyes face fact Falstaff Folio follow give Globe goes Hamlet hand head hear Henry imagination important instance interesting John Julius Caesar kind King Lear Lady later leave lines looke Lord Macbeth means Measure method murder Nature night once opening Othello performance perhaps person picture Platform play players playhouse plot poet poet's poetic position practice present Prince producer reason Richard Romeo round says scene seems seen sense sequence Shakespeare side soliloquy sometimes speaks speech stage stand Study suggests Tarras tells theatre theme thou turn whole