Othello ; King Lear ; All's well that ends well ; MacbethCurrent Literature Publishing Company, 1909 |
From inside the book
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Page xxii
... turning of the actor into an orator by putting him directly in communication with the audience , and the making him soliloquize matter inconsistent with the nature of the soliloquy . But , to say nothing of the irregularity thus ...
... turning of the actor into an orator by putting him directly in communication with the audience , and the making him soliloquize matter inconsistent with the nature of the soliloquy . But , to say nothing of the irregularity thus ...
Page xxiv
... turn receive further illustration from the actions . Now , there are few things in Shakespeare more remark- able than the judgment shown in his first scenes ; and perhaps the very highest instance of this is in the opening of Othello ...
... turn receive further illustration from the actions . Now , there are few things in Shakespeare more remark- able than the judgment shown in his first scenes ; and perhaps the very highest instance of this is in the opening of Othello ...
Page xxv
... turn upon him . A hard task indeed ; but , for that very cause , all the more grate- ful to him , since , from its peril and perplexity , it requires the great stress of cunning , and gives the wider scope for his ingenuity . The very ...
... turn upon him . A hard task indeed ; but , for that very cause , all the more grate- ful to him , since , from its peril and perplexity , it requires the great stress of cunning , and gives the wider scope for his ingenuity . The very ...
Page xxvii
... turns from his conquest to sneer at the victim : " Thus do I ever make my fool my purse ; For I mine own gain'd ... turning his honor and integrity against him . And the same ex- quisite tact of character , which prompts his frankness to ...
... turns from his conquest to sneer at the victim : " Thus do I ever make my fool my purse ; For I mine own gain'd ... turning his honor and integrity against him . And the same ex- quisite tact of character , which prompts his frankness to ...
Page xxxi
... using him . Hence his purpose , not merely to deceive the Moor , but to get his thanks for doing so . Therefore it is that he takes such a malicious pleasure in turning Desdemona's conduct wrong side out ; xxxi THE MOOR Introduction.
... using him . Hence his purpose , not merely to deceive the Moor , but to get his thanks for doing so . Therefore it is that he takes such a malicious pleasure in turning Desdemona's conduct wrong side out ; xxxi THE MOOR Introduction.
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Common terms and phrases
Banquo Bertram better blood Brabantio Cassio character Child Rowland conj Cordelia Count Cyprus daugh daughter death deed Desdemona devil dost Duke Edgar Edmund Emil Emilia Enter Exeunt Exit eyes father fear feeling Fleance folio fool fortune Gent give Glou Gloucester Goneril grace hand hast hath hear heart heaven Helena honor husband Iago Iago's ISRAEL GOLLANCZ Kent king King Lear knave Lady Lady Macbeth Lafeu Lear Lear's look lord Macb Macbeth Macd Macduff madam means Michael Cassio mind Moor murder nature never night noble Othello Parolles passion pity play poor pray quartos Regan Roderigo Rousillon scene sense Shakespeare soul speak speech tell thane thee thine thing thou art thought tion truth Venice villain Weird Sisters wife Witch words