Othello ; King Lear ; All's well that ends well ; MacbethCurrent Literature Publishing Company, 1909 |
From inside the book
Results 1-5 of 72
Page ix
... grace to look asquint , our hand looking one way , and our heart another . " THE ORIGINAL OF OTHELLO From the elegy on the death of Richard Burbage in the year 1618 , it appears that the leading character of the play was assigned to ...
... grace to look asquint , our hand looking one way , and our heart another . " THE ORIGINAL OF OTHELLO From the elegy on the death of Richard Burbage in the year 1618 , it appears that the leading character of the play was assigned to ...
Page xlii
... grace and modesty and gentleness , yet what strength and dignity ! the union of perfect repose and impassioned energy . Perhaps the finest point of contrast between Othello and Iago lies in the method of their several minds . Iago is ...
... grace and modesty and gentleness , yet what strength and dignity ! the union of perfect repose and impassioned energy . Perhaps the finest point of contrast between Othello and Iago lies in the method of their several minds . Iago is ...
Page xliii
... grace around the most unprom- ising figure , and endows the plainest features with some- thing more eloquent than beauty . The often - alleged unfitness of Othello's match has been mainly disposed of by what we have already said respect ...
... grace around the most unprom- ising figure , and endows the plainest features with some- thing more eloquent than beauty . The often - alleged unfitness of Othello's match has been mainly disposed of by what we have already said respect ...
Page xlvii
... course , from the first intimation of the gentle , submissive daughter , to the last groan of the ever - loving , ever - obedient , broken - hearted * wife , is replete with the beauty and grace and xlvii THE MOOR Introduction.
... course , from the first intimation of the gentle , submissive daughter , to the last groan of the ever - loving , ever - obedient , broken - hearted * wife , is replete with the beauty and grace and xlvii THE MOOR Introduction.
Page xlviii
... grace and holiness of womanhood , then let him weep , weep , for her ; so may he de- part " a sadder and a wiser man . " As for her unresisting submissiveness , let no man dare to defend it ! Assuredly , we shall do her a great wrong ...
... grace and holiness of womanhood , then let him weep , weep , for her ; so may he de- part " a sadder and a wiser man . " As for her unresisting submissiveness , let no man dare to defend it ! Assuredly , we shall do her a great wrong ...
Contents
vii | |
xi | |
xxiv | |
2 | |
3 | |
5 | |
89 | |
119 | |
138 | |
163 | |
177 | |
182 | |
184 | |
184 | |
184 | |
3 | |
5 | |
52 | |
160 | |
184 | |
204 | |
iv | |
140 | |
149 | |
iv | |
vii | |
xiii | |
xl | |
2 | |
3 | |
7 | |
38 | |
84 | |
130 | |
143 | |
Common terms and phrases
Banquo Bertram better blood Brabantio Cassio character Child Rowland conj Cordelia Count Cyprus daugh daughter death deed Desdemona devil dost Duke Edgar Edmund Emil Emilia Enter Exeunt Exit eyes father fear feeling Fleance folio fool fortune Gent give Glou Gloucester Goneril grace hand hast hath hear heart heaven Helena honor husband Iago Iago's ISRAEL GOLLANCZ Kent king King Lear knave Lady Lady Macbeth Lafeu Lear Lear's look lord Macb Macbeth Macd Macduff madam means Michael Cassio mind Moor murder nature never night noble Othello Parolles passion pity play poor pray quartos Regan Roderigo Rousillon scene sense Shakespeare soul speak speech tell thane thee thine thing thou art thought tion truth Venice villain Weird Sisters wife Witch words