Othello ; King Lear ; All's well that ends well ; MacbethCurrent Literature Publishing Company, 1909 |
From inside the book
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Page ix
... character of the play was assigned to this most famous actor : - " But let me not forget one chiefest part Wherein , beyond the rest , he mov'd the heart , The grievèd Moor , made jealous by a slave , Who sent his wife to fill a ...
... character of the play was assigned to this most famous actor : - " But let me not forget one chiefest part Wherein , beyond the rest , he mov'd the heart , The grievèd Moor , made jealous by a slave , Who sent his wife to fill a ...
Page x
... character it somewhat resembles the tale of The Three Apples in The Thousand and One Nights ; on the other hand it has been ingeniously maintained that " a certain Christophal Moro , a Luogotenente di Cipro , who returned from Cyprus in ...
... character it somewhat resembles the tale of The Three Apples in The Thousand and One Nights ; on the other hand it has been ingeniously maintained that " a certain Christophal Moro , a Luogotenente di Cipro , who returned from Cyprus in ...
Page xix
... characters of Othello and Desdemona into a much higher region , and invest them with a far deeper and more pathetic ... character , the passion , the pathos , the poetry , being entirely his own . Until a recent date , The Tragedy of ...
... characters of Othello and Desdemona into a much higher region , and invest them with a far deeper and more pathetic ... character , the passion , the pathos , the poetry , being entirely his own . Until a recent date , The Tragedy of ...
Page xxi
... as we might expect , are not agreed . In the elements and impressions of moral terror , it is certainly inferior to Macbeth ; in breadth and variety of character- • ization , to Lear ; in compass and reach xxi THE MOOR Introduction.
... as we might expect , are not agreed . In the elements and impressions of moral terror , it is certainly inferior to Macbeth ; in breadth and variety of character- • ization , to Lear ; in compass and reach xxi THE MOOR Introduction.
Page xxiii
... character being partly derived , must also be partly interpreted , from the particular state of things in which he lives , the characters that act with him , and upon him . It may be from oversight of these things , that the first Act ...
... character being partly derived , must also be partly interpreted , from the particular state of things in which he lives , the characters that act with him , and upon him . It may be from oversight of these things , that the first Act ...
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Common terms and phrases
Banquo Bertram better blood Brabantio Cassio character Child Rowland conj Cordelia Count Cyprus daugh daughter death deed Desdemona devil dost Duke Edgar Edmund Emil Emilia Enter Exeunt Exit eyes father fear feeling Fleance folio fool fortune Gent give Glou Gloucester Goneril grace hand hast hath hear heart heaven Helena honor husband Iago Iago's ISRAEL GOLLANCZ Kent king King Lear knave Lady Lady Macbeth Lafeu Lear Lear's look lord Macb Macbeth Macd Macduff madam means Michael Cassio mind Moor murder nature never night noble Othello Parolles passion pity play poor pray quartos Regan Roderigo Rousillon scene sense Shakespeare soul speak speech tell thane thee thine thing thou art thought tion truth Venice villain Weird Sisters wife Witch words