Call me what instrument you will, though you can fret me, you cannot play upon me. d. Hamlet. Act III. Sc. 2. Get thee glass eyes; And, and like a scurvy politician, seem To see the things thou dost not. e. King Lear. Act IV. Sc. 6. He talks to me that never had a son. I had rather be a dog, and bay the moon; 9. Julius Cæsar. Act IV. Sc. 3. CERVANTES-Don Quixote. Pt. I. We'll therefore relish with content, 8. NATHANIEL COTTON-The Fireside. Enjoy the present hour, be thankful for the past, And neither fear nor wish th' approaches of the last. t. COWLEY-Imitations. Martial. Lib. X. Ep. XLVII. 'Tis pleasant through the loopholes of retreat To peep at such a world; to see the stir ". Line 88. This floating life hath but this port of rest, Content with poverty, my soul I arm; warin. 10. DRYDEN-Second Book of Horace. Ode 29. He trudged along, unknowing what he sought, And whistled as he went, for want of thought. x. DRYDEN-Cymon and Iphigenia. Line 84. With equal minds what happens let us bear, Nor joy, nor grieve too much for things beyond our care. y. DRYDEN-- Palemon and Arcite. Map me no maps, sir; my head is a map, a map of the whole world. Z. Act I. Sc. 4. FIELDING--Rape upon Rape. Act 1. Sc. 5. Of little meddling cometh rest, The busy man ne'er wanted woe: JASPER HEYWOOD--Look ere you Leap. Let the world slide, let the world go; And death makes equal the high and low. k. JOHN HEYWOOD--Be Merry Friends. Yes! in the poor man's garden grow, 1. MARY HOWITT-The Poor Man's Garden. The Retort Courteous; the Quip Modest; the Reply Churlish; the Reproof Valiant; the Counter check Quarrelsome; the Lie with Circumstance; the Lie Direct. 20. As You Like It. Act V. Sc. 4. Thou! why thou wilt quarrel with a man that hath a hair more, or a hair less, in his beard than thou hast. Thou wilt quarrel with a man for cracking nuts, having no other reason, but because thou hast hazel eyes. x. Romeo and Juliet. Act III. Sc. 1. Thy head is as full of quarrels as an egg is full of meat. Nature hath meal and bran, contempt and grace. h. Cymbeline. Act IV. Sc. 2. Those that are good manners at the court are as ridiculous in the country, as the behaviour of the country is most mockable at the court. i. As You Like It. Act III. Sc. 2. The little may contrast with the great, in painting, but cannot be said to be contrary to it. Oppositions of colors contrast; but there are also colors contrary to each other, that is, which produce an ill effect because they shock the eye when brought very near it. j. VOLTAIRE--Essay. Contrast. CONVERSATION. Method is not less requisite in ordinary conversation than in writing, providing a man would talk to make himself understood. k. ADDISON-The Spectator. No. 476. When with greatest art he spoke, 1. BUTLER-Hudibras. Pt. I. Canto I. Line 89. This royal throne of kings, this scepter'd isle, Drenching yon secret Ethiopian dells, S. COWPER-The Task. Bk. I. Line 181. I hate the countrie's dirt and manners, yet I love the silence; I embrace the wit No place each way is happy. t. WILLIAM HABINGTON--Tomy Noblest Friend, I. C., Esquire. To one who has been long in city pent, 'Tis very sweet to look into the fair And open face of heaven, -to breathe a prayer Full in the smile of the blue firmament. |