Textual Patronage in English Drama, 1570-1640Routledge, 2017 M11 28 - 257 pages Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, the author recuperates the richness of these prefaces and connects them to the practice of patronage. The prefatory matter discussed ranges from the printer John Day's address to readers (the first of its kind) in the 1570 edition of Gorboduc to Richard Brome's dedication to William Seymour and address to readers in his 1640 play, Antipodes. The study includes discussion of prefaces in plays by Shakespeare's contemporaries as well as Shakespeare himself, among them Marston, Jonson, and Heywood. The author uses these prefaces to show that English playwrights, printers and publishers looked in two directions, toward aristocrats and toward a reading public, in order to secure status for and dissemination of dramatic texts. The author points out that dedications and addresses to readers constitute obvious signs that printers, publishers and playwrights in the period increasingly saw these dramatic texts as occupying a rightful place in the humanistic and commercial endeavor of book production. |
From inside the book
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... underscore the playwrights' determination to make of their writing a published book, available for purchase. Such prefatory material indeed has no purpose, no reason to exist outside publication; but it has everything to do with how ...
... underscore the playwrights' determination to make of their writing a published book, available for purchase. Such prefatory material indeed has no purpose, no reason to exist outside publication; but it has everything to do with how ...
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... underscore their complementary and at times times oppositional nature , each experiencing growth and enduring external threat . Within the walls of theaters eager audiences gathered ; outside the walls engaged purchasers and readers of ...
... underscore their complementary and at times times oppositional nature , each experiencing growth and enduring external threat . Within the walls of theaters eager audiences gathered ; outside the walls engaged purchasers and readers of ...
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... underscore how appealing the economic narrative of commerce taking over patronage has been. Textual patronage remains, in my judgment, largely a matter of social desire and arrangements. In a word, in this book I lay out the case for ...
... underscore how appealing the economic narrative of commerce taking over patronage has been. Textual patronage remains, in my judgment, largely a matter of social desire and arrangements. In a word, in this book I lay out the case for ...
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... underscores the authorial quest; indeed, the paratexts provide a forum for the author's voice and embolden him to use this space to defend the play against attacks, real or imagined, that have occurred. The address to readers, for ...
... underscores the authorial quest; indeed, the paratexts provide a forum for the author's voice and embolden him to use this space to defend the play against attacks, real or imagined, that have occurred. The address to readers, for ...
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... underscores this quality. See also, Roger Chartier, The Cultural Uses of Print in Early Modern France, trans. Lydia G. Cochrane (Princeton: Princeton University Press, 1987), and his The Order of Books: Readers, Authors, and Libraries ...
... underscores this quality. See also, Roger Chartier, The Cultural Uses of Print in Early Modern France, trans. Lydia G. Cochrane (Princeton: Princeton University Press, 1987), and his The Order of Books: Readers, Authors, and Libraries ...
Contents
Pageants Masques | |
Women as Patrons of Drama | |
Marston and Colleagues | |
Shakespeare and Folio | |
Thomas Heywoods Apology for Readers 16081638 | |
Textual Patronage in | |
Lenvoi | |
Index | |
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Common terms and phrases
acknowledges actor's voice actors address readers address to readers Apology authorship Beaumont Ben Jonson Blount Brome Cambridge University Press Chapman Churchyard comedy Countess Countess of Bedford court cultural dedications and addresses discussion dramatic texts dramatists Earl edition English entertainment epistle dedicatory favor Fletcher Folio function genre hath Heminge and Condell Henry Herbert brothers honor insists Jacobean James Shirley John Ford John Marston Jones Jonson King's King's Men Lady literary Loewenstein London Lord Chamberlain Marston masque Massinger mayor Middleton Moseley noble construction offers pageant paratexts patrons Pembroke performance Philip Massinger Philotas play playhouse playtexts playwright poems poet preface prefatory documents prefatory material printed text printers and publishers publication quarto Queen quotations reading refers Renaissance Richard Robert Samuel Daniel seek Sejanus Shakespeare system of patronage textual economy textual patronage theater audiences theatrical Thomas Dekker Thomas Heywood Thomas Middleton Tragedy underscores Volpone Webster William women writes