Textual Patronage in English Drama, 1570-1640Routledge, 2017 M11 28 - 257 pages Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, the author recuperates the richness of these prefaces and connects them to the practice of patronage. The prefatory matter discussed ranges from the printer John Day's address to readers (the first of its kind) in the 1570 edition of Gorboduc to Richard Brome's dedication to William Seymour and address to readers in his 1640 play, Antipodes. The study includes discussion of prefaces in plays by Shakespeare's contemporaries as well as Shakespeare himself, among them Marston, Jonson, and Heywood. The author uses these prefaces to show that English playwrights, printers and publishers looked in two directions, toward aristocrats and toward a reading public, in order to secure status for and dissemination of dramatic texts. The author points out that dedications and addresses to readers constitute obvious signs that printers, publishers and playwrights in the period increasingly saw these dramatic texts as occupying a rightful place in the humanistic and commercial endeavor of book production. |
From inside the book
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... system, without permission in writing from the publishers. A Library of Congress record exists under LC control number: 2005012381 Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for ...
... system, without permission in writing from the publishers. A Library of Congress record exists under LC control number: 2005012381 Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for ...
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... patronage, at least in the late sixteenth and early seventeenth centuries in ... system of exchange between playwrights and patrons, who came in many ... patronage." I have benefited from many patrons myself. I refer specifically to the ...
... patronage, at least in the late sixteenth and early seventeenth centuries in ... system of exchange between playwrights and patrons, who came in many ... patronage." I have benefited from many patrons myself. I refer specifically to the ...
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... system of literary patronage, captured in these texts. We stare in the rhetorical face the limits of how many ways one can express gratitude or desire for support. But such appeals playwrights made all across the time period covered in ...
... system of literary patronage, captured in these texts. We stare in the rhetorical face the limits of how many ways one can express gratitude or desire for support. But such appeals playwrights made all across the time period covered in ...
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... patronage and acknowledge a reading audience; such patrons in turn construct the playwright's status and possible career. About Renaissance genre, Rosalie Colie shrewdly reminds us: "I am not now talking about a rigid system of genres ...
... patronage and acknowledge a reading audience; such patrons in turn construct the playwright's status and possible career. About Renaissance genre, Rosalie Colie shrewdly reminds us: "I am not now talking about a rigid system of genres ...
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... patronage of dramatic texts. This healthy skepticism, if not agnosticism, does not vitiate the functioning of patronage. Arguing that the literary system cannot be divorced from patronage, Robert Evans reminds us: "The growing economic ...
... patronage of dramatic texts. This healthy skepticism, if not agnosticism, does not vitiate the functioning of patronage. Arguing that the literary system cannot be divorced from patronage, Robert Evans reminds us: "The growing economic ...
Contents
Pageants Masques | |
Women as Patrons of Drama | |
Marston and Colleagues | |
Shakespeare and Folio | |
Thomas Heywoods Apology for Readers 16081638 | |
Textual Patronage in | |
Lenvoi | |
Index | |
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Common terms and phrases
acknowledges actor's voice actors address readers address to readers Apology authorship Beaumont Ben Jonson Blount Brome Cambridge University Press Chapman Churchyard comedy Countess Countess of Bedford court cultural dedications and addresses discussion dramatic texts dramatists Earl edition English entertainment epistle dedicatory favor Fletcher Folio function genre hath Heminge and Condell Henry Herbert brothers honor insists Jacobean James Shirley John Ford John Marston Jones Jonson King's King's Men Lady literary Loewenstein London Lord Chamberlain Marston masque Massinger mayor Middleton Moseley noble construction offers pageant paratexts patrons Pembroke performance Philip Massinger Philotas play playhouse playtexts playwright poems poet preface prefatory documents prefatory material printed text printers and publishers publication quarto Queen quotations reading refers Renaissance Richard Robert Samuel Daniel seek Sejanus Shakespeare system of patronage textual economy textual patronage theater audiences theatrical Thomas Dekker Thomas Heywood Thomas Middleton Tragedy underscores Volpone Webster William women writes