Textual Patronage in English Drama, 1570-1640Routledge, 2017 M11 28 - 257 pages Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, the author recuperates the richness of these prefaces and connects them to the practice of patronage. The prefatory matter discussed ranges from the printer John Day's address to readers (the first of its kind) in the 1570 edition of Gorboduc to Richard Brome's dedication to William Seymour and address to readers in his 1640 play, Antipodes. The study includes discussion of prefaces in plays by Shakespeare's contemporaries as well as Shakespeare himself, among them Marston, Jonson, and Heywood. The author uses these prefaces to show that English playwrights, printers and publishers looked in two directions, toward aristocrats and toward a reading public, in order to secure status for and dissemination of dramatic texts. The author points out that dedications and addresses to readers constitute obvious signs that printers, publishers and playwrights in the period increasingly saw these dramatic texts as occupying a rightful place in the humanistic and commercial endeavor of book production. |
From inside the book
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... be surprised by this seeming " time - lag " ; that is , it may not be especially significant . No sooner does Saunders assert that " Gentlemen , then , shunned print" (p. 140), but he must acknowledge that print became.
... be surprised by this seeming " time - lag " ; that is , it may not be especially significant . No sooner does Saunders assert that " Gentlemen , then , shunned print" (p. 140), but he must acknowledge that print became.
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... acknowledge that print became an economic necessity (p. 141). I claim simply that playwrights functioned in a kind of parallel universe that already had a major public dimension and perhaps because of that they seemed for the most part ...
... acknowledge that print became an economic necessity (p. 141). I claim simply that playwrights functioned in a kind of parallel universe that already had a major public dimension and perhaps because of that they seemed for the most part ...
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... acknowledge performance. Typically following shortly after the title page, these documents confront readers immediately, forming a boundary between the text proper and the prefatory material and leading and guiding us into the text. How ...
... acknowledge performance. Typically following shortly after the title page, these documents confront readers immediately, forming a boundary between the text proper and the prefatory material and leading and guiding us into the text. How ...
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... acknowledge a reading audience; such patrons in turn construct the playwright's status and possible career. About Renaissance genre, Rosalie Colie shrewdly reminds us: "I am not now talking about a rigid system of genres—which, really ...
... acknowledge a reading audience; such patrons in turn construct the playwright's status and possible career. About Renaissance genre, Rosalie Colie shrewdly reminds us: "I am not now talking about a rigid system of genres—which, really ...
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... acknowledges the importance of patronage and tries to assess its meaning for Jonson. He writes: "But patronage meant far more to Jonson than money, more even than the hospitality and protection he so frequently acknowledges. Entry into ...
... acknowledges the importance of patronage and tries to assess its meaning for Jonson. He writes: "But patronage meant far more to Jonson than money, more even than the hospitality and protection he so frequently acknowledges. Entry into ...
Contents
Pageants Masques | |
Women as Patrons of Drama | |
Marston and Colleagues | |
Shakespeare and Folio | |
Thomas Heywoods Apology for Readers 16081638 | |
Textual Patronage in | |
Lenvoi | |
Index | |
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Common terms and phrases
acknowledges actor's voice actors address readers address to readers Apology authorship Beaumont Ben Jonson Blount Brome Cambridge University Press Chapman Churchyard comedy Countess Countess of Bedford court cultural dedications and addresses discussion dramatic texts dramatists Earl edition English entertainment epistle dedicatory favor Fletcher Folio function genre hath Heminge and Condell Henry Herbert brothers honor insists Jacobean James Shirley John Ford John Marston Jones Jonson King's King's Men Lady literary Loewenstein London Lord Chamberlain Marston masque Massinger mayor Middleton Moseley noble construction offers pageant paratexts patrons Pembroke performance Philip Massinger Philotas play playhouse playtexts playwright poems poet preface prefatory documents prefatory material printed text printers and publishers publication quarto Queen quotations reading refers Renaissance Richard Robert Samuel Daniel seek Sejanus Shakespeare system of patronage textual economy textual patronage theater audiences theatrical Thomas Dekker Thomas Heywood Thomas Middleton Tragedy underscores Volpone Webster William women writes