Textual Patronage in English Drama, 1570-1640Routledge, 2017 M11 28 - 257 pages Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, the author recuperates the richness of these prefaces and connects them to the practice of patronage. The prefatory matter discussed ranges from the printer John Day's address to readers (the first of its kind) in the 1570 edition of Gorboduc to Richard Brome's dedication to William Seymour and address to readers in his 1640 play, Antipodes. The study includes discussion of prefaces in plays by Shakespeare's contemporaries as well as Shakespeare himself, among them Marston, Jonson, and Heywood. The author uses these prefaces to show that English playwrights, printers and publishers looked in two directions, toward aristocrats and toward a reading public, in order to secure status for and dissemination of dramatic texts. The author points out that dedications and addresses to readers constitute obvious signs that printers, publishers and playwrights in the period increasingly saw these dramatic texts as occupying a rightful place in the humanistic and commercial endeavor of book production. |
From inside the book
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... William and Philip Herbert in the Shakespeare First Folio (1623) Fig. 6.2. Address to readers in the Shakespeare ... William Cavendish, Earl of Newcastle in Perkin Warbeck (1634) Introduction A Preface about Prefaces On a cool ...
... William and Philip Herbert in the Shakespeare First Folio (1623) Fig. 6.2. Address to readers in the Shakespeare ... William Cavendish, Earl of Newcastle in Perkin Warbeck (1634) Introduction A Preface about Prefaces On a cool ...
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... William Herbert had died before the second Folio of 1632 and Philip Herbert, before the third Folio (1663). In each case we are looking at completely new settings of the texts. These writers seem to have some kind of fixed notion of the ...
... William Herbert had died before the second Folio of 1632 and Philip Herbert, before the third Folio (1663). In each case we are looking at completely new settings of the texts. These writers seem to have some kind of fixed notion of the ...
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... William Butler Yeats in "The Second Coming" with its image of the "widening gyre" and things falling apart, I want to offer yet another variation of the Kernan-Brooks trajectories. I think that these linear narrative scenarios need to ...
... William Butler Yeats in "The Second Coming" with its image of the "widening gyre" and things falling apart, I want to offer yet another variation of the Kernan-Brooks trajectories. I think that these linear narrative scenarios need to ...
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... William Seymour: "I hope your protection." No matter how well-established the dramatists seem, they retain this lingering thought that they and their plays need security. Aristocrats also lend prestige and status. These dedications ...
... William Seymour: "I hope your protection." No matter how well-established the dramatists seem, they retain this lingering thought that they and their plays need security. Aristocrats also lend prestige and status. These dedications ...
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... William and Philip Herbert , noblemen known for their support of the arts , and an address to readers , the focus of Chapter 6. Heminge and Condell consecrate Shakespeare's " remains " to these aristocrats . This chapter examines the ...
... William and Philip Herbert , noblemen known for their support of the arts , and an address to readers , the focus of Chapter 6. Heminge and Condell consecrate Shakespeare's " remains " to these aristocrats . This chapter examines the ...
Contents
Pageants Masques | |
Women as Patrons of Drama | |
Marston and Colleagues | |
Shakespeare and Folio | |
Thomas Heywoods Apology for Readers 16081638 | |
Textual Patronage in | |
Lenvoi | |
Index | |
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Common terms and phrases
acknowledges actor's voice actors address readers address to readers Apology authorship Beaumont Ben Jonson Blount Brome Cambridge University Press Chapman Churchyard comedy Countess Countess of Bedford court cultural dedications and addresses discussion dramatic texts dramatists Earl edition English entertainment epistle dedicatory favor Fletcher Folio function genre hath Heminge and Condell Henry Herbert brothers honor insists Jacobean James Shirley John Ford John Marston Jones Jonson King's King's Men Lady literary Loewenstein London Lord Chamberlain Marston masque Massinger mayor Middleton Moseley noble construction offers pageant paratexts patrons Pembroke performance Philip Massinger Philotas play playhouse playtexts playwright poems poet preface prefatory documents prefatory material printed text printers and publishers publication quarto Queen quotations reading refers Renaissance Richard Robert Samuel Daniel seek Sejanus Shakespeare system of patronage textual economy textual patronage theater audiences theatrical Thomas Dekker Thomas Heywood Thomas Middleton Tragedy underscores Volpone Webster William women writes