Studies of Shakespeare: In the Plays of King John, Cymbeline, Macbeth, As You Like It, Much Ado about Nothing, Romeo and Juliet, with Observations on the Criticism and the Acting of Those Plays
Longman Brown, Green and Longmans, 1847 - 384 pages
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
acting actress affection already answer appears Beat Beatrice beauty Benedick character comes conception Constance contrast cousin critics death desire drama dramatist especially exclamation expression exquisite eyes fact fair father fear feeling force Friar give given grace hand hath hear heart heaven hero heroine honour human husband ideal imagination immediately Imogen instance interest Italy Juliet king lady leading leave less lips live look lord lover Macbeth matter means merely mind moral murder nature never night noble Nurse observe occasion once opening passage passion perfect performance person piece play poet present reason regard remarkable representative respecting Romeo Rosalind scene seems selfish sense Shakespeare Shakespearian shew shown soul speak spirit stage sweet tell tender thee thing thou thought true whole wife woman youth
Page 313 - Do not swear at all ; Or, if thou wilt, swear by thy gracious self, Which is the god of my idolatry, And I'll believe thee.
Page 336 - It was the lark, the herald of the morn, No nightingale : look, love, what envious streaks Do lace the severing clouds in yonder east : Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
Page 114 - The Prince of Cumberland! that is a step On which I must fall down, or else o'erleap, For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
Page 362 - Ah, dear Juliet, Why art thou yet so fair? Shall I believe That unsubstantial death is amorous ; And that the lean abhorred monster keeps Thee here in dark to be his paramour?
Page 112 - Cannot be ill ; cannot be good : — if ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair. And make my seated heart knock at my ribs, Against the use of nature...
Page 19 - And, father cardinal, I have heard you say That we shall see and know our friends in heaven: If that be true, I shall see my boy again; For since the birth of Cain, the first male child, To him that did but yesterday suspire, There was not such a gracious creature born.
Page 310 - What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself.
Page 310 - O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name! Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet.
Page 134 - O, full of scorpions is my mind, dear wife ! Thou know'st that Banquo, and his Fleance, lives. Lady M. But in them nature's copy's not eterne. Macb. There's comfort yet ; they are assailable ; Then be thou jocund : ere the bat hath flown His cloister'd flight, ere to black Hecate's summons The shard-borne beetle with his drowsy hums Hath rung night's yawning peal, there shall be done A deed of dreadful note.
Page 125 - Methought I heard a voice cry "Sleep no more! Macbeth does murder sleep," the innocent sleep, Sleep that knits up the ravell'd sleave of care, The death of each day's life, sore labour's bath, Balm of hurt minds, great nature's second course, Chief nourisher in life's feast, — Lady M.