HamletOne of the greatest plays of all time, the compelling tragedy of the tormented young prince of Denmark continues to capture the imaginations of modern audiences worldwide. Confronted with evidence that his uncle murdered his father, and with his mother’s infidelity, Hamlet must find a means of reconciling his longing for oblivion with his duty as avenger. The ghost, Hamlet’s feigned madness, Ophelia’s death and burial, the play within a play, the “closet scene” in which Hamlet accuses his mother of complicity in murder, and breathtaking swordplay are just some of the elements that make Hamlet an enduring masterpiece of the theater. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Page xiii
while Hamlet's speech giving his reasons for not plunging his sword into his
praying uncle implies that the act of penitence can instantly purge sin away and
allow even a man who has committed the most terrible crime immediate access
to ...
while Hamlet's speech giving his reasons for not plunging his sword into his
praying uncle implies that the act of penitence can instantly purge sin away and
allow even a man who has committed the most terrible crime immediate access
to ...
Page xviii
Let them begin from that key moment when Hamlet decides not to kill King
Claudius while he is praying. since that would be to send him to heaven. not hell:
Up. sword. and know thou a more horrid hent: When he is drunk asleep. or in his
rage.
Let them begin from that key moment when Hamlet decides not to kill King
Claudius while he is praying. since that would be to send him to heaven. not hell:
Up. sword. and know thou a more horrid hent: When he is drunk asleep. or in his
rage.
Page 32
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Page 49
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Contents
Textual Notes | 137 |
ScenebyScene Analysis | 149 |
The RSC and Beyond | 166 |
Shakespeares Career in the Theal er | 217 |
A Chronology | 232 |
Other editions - View all
Common terms and phrases
action actor appeared arms asks audience begins believe blood body bring cause character Claudius close CLOWN comes dead death Denmark directed effect Enter Exit eyes father fear feeling Folio follow Fortinbras friends Gertrude Ghost give grave Guildenstern Hamlet hand hath head hear heart heaven hold Horatio keep kill king Laertes leave letter light live look lord madness MARCELLUS mark matter means mind mother murder nature never night Ophelia performance person play players political Polonius pray production Quarto queen question reading reason revenge role Rosencrantz running scene seems seen sense Shakespeare soliloquy sometimes soul speak speech spirit stage stand suggest sword tell theater thee thing thou thought Tragedy true turn voice watch young