HamletRandom House Publishing Group, 2008 M08 12 - 272 pages One of the greatest plays of all time, the compelling tragedy of the tormented young prince of Denmark continues to capture the imaginations of modern audiences worldwide. Confronted with evidence that his uncle murdered his father, and with his mother’s infidelity, Hamlet must find a means of reconciling his longing for oblivion with his duty as avenger. The ghost, Hamlet’s feigned madness, Ophelia’s death and burial, the play within a play, the “closet scene” in which Hamlet accuses his mother of complicity in murder, and breathtaking swordplay are just some of the elements that make Hamlet an enduring masterpiece of the theater. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
Results 1-5 of 31
Page xiv
... But the exchange of rapiers during the fencing match with Laertes is not a matter of chance , as is sometimes suggested . Many modern productions use 85 lading bot 2. They change rapiers : disarm and. Xiv INTRODUCTION.
... But the exchange of rapiers during the fencing match with Laertes is not a matter of chance , as is sometimes suggested . Many modern productions use 85 lading bot 2. They change rapiers : disarm and. Xiv INTRODUCTION.
Page xvii
... production of 2004 , director Michael . Boyd * considered not only the three versions that emerged from ... production . To make them into the * See further the interview with Michael Boyd about his production in " The Director's Cut ...
... production of 2004 , director Michael . Boyd * considered not only the three versions that emerged from ... production . To make them into the * See further the interview with Michael Boyd about his production in " The Director's Cut ...
Page xviii
... production - a radical new posi- tion for " To be or not to be " was seriously considered , but ultimately rejected . The process of thinking through production choices of this sort is what enables directors and actors to defamiliarize ...
... production - a radical new posi- tion for " To be or not to be " was seriously considered , but ultimately rejected . The process of thinking through production choices of this sort is what enables directors and actors to defamiliarize ...
Page xxv
... production , and revival , and that the major variants between the early printed versions almost cer- tainly reflect this process . If you look at printers ' handbooks from the age of Shakespeare , you quickly discover that one of the ...
... production , and revival , and that the major variants between the early printed versions almost cer- tainly reflect this process . If you look at printers ' handbooks from the age of Shakespeare , you quickly discover that one of the ...
Page 166
You have reached your viewing limit for this book.
You have reached your viewing limit for this book.
Contents
Textual Notes | 137 |
ScenebyScene Analysis | 149 |
The RSC and Beyond | 166 |
Shakespeares Career in the Theater | 217 |
A Chronology | 231 |
Acknowledgments and Picture Credits | 237 |
Other editions - View all
Common terms and phrases
ACT 4 SCENE action actor audience BARNARDO blood Boyd Caird character David Warner dead dear death Denmark doth Elsinore Exit eyes father fear Folio Following Fortinbras friends GERTRUDE HAMLET Ghost give grave grief HAMLET Ay HAMLET OPHELIA Hamlet play hast hath hear heart heaven HORATIO HAMLET HORATIO is't Jonathan Bate kill KING HAMLET LAERTES HAMLET LAERTES KING leave Lines look Lord Hamlet madness MARCELLUS Mark Rylance Matthew Warchus Michael Boyd mother murder nature night Norway nunnery Ophelia OPHELIA HAMLET OSRIC passion performance play players Polonius POLONIUS HAMLET pray prince production queen question rapiers revenge REYNALDO role Rosencrantz and Guildenstern Royal Shakespeare Royal Shakespeare Company SECOND CLOWN sense sexual Sings soliloquy soul speak speech stage sword tell theater theatrical thee There's thing thou thought Toby Stephens Tragedy watch Wittenberg words young