HamletRandom House Publishing Group, 2008 M08 12 - 272 pages One of the greatest plays of all time, the compelling tragedy of the tormented young prince of Denmark continues to capture the imaginations of modern audiences worldwide. Confronted with evidence that his uncle murdered his father, and with his mother’s infidelity, Hamlet must find a means of reconciling his longing for oblivion with his duty as avenger. The ghost, Hamlet’s feigned madness, Ophelia’s death and burial, the play within a play, the “closet scene” in which Hamlet accuses his mother of complicity in murder, and breathtaking swordplay are just some of the elements that make Hamlet an enduring masterpiece of the theater. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
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Page viii
... father's loss by slaughtering old King Priam . But this might be con- strued as a negative example : Priam himself is an “ unnervèd father " and his slaughter moves a wife and mother , Hecuba , to distraction . If Hamlet were to become ...
... father's loss by slaughtering old King Priam . But this might be con- strued as a negative example : Priam himself is an “ unnervèd father " and his slaughter moves a wife and mother , Hecuba , to distraction . If Hamlet were to become ...
Page ix
... fathers . " Reason and judgment were supposed to prevail over will and passion . The Stoicism of Seneca provided a ... father . Hamlet despises such propriety . He is not interested in the " com- mon " way of behaving . He speaks for ...
... fathers . " Reason and judgment were supposed to prevail over will and passion . The Stoicism of Seneca provided a ... father . Hamlet despises such propriety . He is not interested in the " com- mon " way of behaving . He speaks for ...
Page xii
... father's murder . In the third , he medi- tates on the pros and cons of suicide and in the Quarto text of the fourth , he is still chiding himself when he compares his own inac- tion with the military activity of Fortinbras and his army ...
... father's murder . In the third , he medi- tates on the pros and cons of suicide and in the Quarto text of the fourth , he is still chiding himself when he compares his own inac- tion with the military activity of Fortinbras and his army ...
Page xvi
... father . But in the Second Quarto and First Folio texts - published later , but considerably longer and more accurately printed than the First Quarto Hamlet's entrance with the book leads straight to the " Fishmonger " dialogue ( 2.2 ...
... father . But in the Second Quarto and First Folio texts - published later , but considerably longer and more accurately printed than the First Quarto Hamlet's entrance with the book leads straight to the " Fishmonger " dialogue ( 2.2 ...
Page xx
... father of Ophelia , he does actually kill ; and for this does he lament or atone for what he has done , by any regret or remorse ? " I'll lug the guts into the neighbor room " - " You nose him as you go up the stairs into the lobby ...
... father of Ophelia , he does actually kill ; and for this does he lament or atone for what he has done , by any regret or remorse ? " I'll lug the guts into the neighbor room " - " You nose him as you go up the stairs into the lobby ...
Contents
Textual Notes | 137 |
ScenebyScene Analysis | 149 |
The RSC and Beyond | 166 |
Shakespeares Career in the Theater | 217 |
A Chronology | 231 |
Acknowledgments and Picture Credits | 237 |
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Common terms and phrases
ACT 4 SCENE action actor audience BARNARDO blood Boyd Caird character David Warner dead dear death Denmark doth Elsinore Exit eyes father fear Folio Following Fortinbras friends GERTRUDE HAMLET Ghost give grave grief HAMLET Ay HAMLET OPHELIA Hamlet play hast hath hear heart heaven HORATIO HAMLET HORATIO is't Jonathan Bate kill KING HAMLET LAERTES HAMLET LAERTES KING leave Lines look Lord Hamlet madness MARCELLUS Mark Rylance Matthew Warchus Michael Boyd mother murder nature night Norway nunnery Ophelia OPHELIA HAMLET OSRIC passion performance play players Polonius POLONIUS HAMLET pray prince production queen question rapiers revenge REYNALDO role Rosencrantz and Guildenstern Royal Shakespeare Royal Shakespeare Company SECOND CLOWN sense sexual Sings soliloquy soul speak speech stage sword tell theater theatrical thee There's thing thou thought Toby Stephens Tragedy watch Wittenberg words young