Joyce's Book of Memory: The Mnemotechnic of UlyssesDuke University Press, 1999 M01 6 - 240 pages For James Joyce, perhaps the most crucial of all human faculties was memory. It represented both the central thread of identity and a looking glass into the past. It served as an avenue into other minds, an essential part of the process of literary composition and narration, and the connective tissue of cultural tradition. In Joyce’s Book of Memory John S. Rickard demonstrates how Joyce’s body of work—Ulysses in particular—operates as a “mnemotechnic,” a technique for preserving and remembering personal, social, and cultural pasts. Offering a detailed reading of Joyce and his methods of writing, Rickard investigates the uses of memory in Ulysses and analyzes its role in the formation of personal identity. The importance of forgetting and repression, and the deadliness of nostalgia and habit in Joyce’s paralyzed Dublin are also revealed. Noting the power of spontaneous, involuntary recollection, Rickard locates Joyce’s mnemotechnic within its historical and philosophical contexts. As he examines how Joyce responded to competing intellectual paradigms, Rickard explores Ulysses’ connection to medieval, modern, and (what would become) postmodern worldviews, as well as its display of tensions between notions of subjective and universal memory. Finally, Joyce’s Book of Memory illustrates how Joyce distilled subjectivity, history, and cultural identity into a text that offers a panoramic view of the modern period. This book will interest students and scholars of Joyce, as well as others engaged in the study of modern and postmodern literature. |
From inside the book
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... Joyce . Of course , the usual disclaimer applies , and none of these individuals should be held respon- sible for my follies or foibles . A week - long workshop on " Joyce's Mul- tiple Memories " at the Zürich James Joyce Foundation in ...
... Joyce . Of course , the usual disclaimer applies , and none of these individuals should be held respon- sible for my follies or foibles . A week - long workshop on " Joyce's Mul- tiple Memories " at the Zürich James Joyce Foundation in ...
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... Joyce with me at Clemson University and at Bucknell have given me invaluable insights into my work as well . I am also grateful to Reynolds Smith , my editor at Duke Univer- sity Press , who has waited the return of my manuscript at ...
... Joyce with me at Clemson University and at Bucknell have given me invaluable insights into my work as well . I am also grateful to Reynolds Smith , my editor at Duke Univer- sity Press , who has waited the return of my manuscript at ...
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... Joyce " prized memory above all other human faculties " ( Hart , Structure 53 ) , and Sylvia Beach recalled that Joyce had consciously developed his own powers of memory , once keeping himself amused while recovering from painful eye ...
... Joyce " prized memory above all other human faculties " ( Hart , Structure 53 ) , and Sylvia Beach recalled that Joyce had consciously developed his own powers of memory , once keeping himself amused while recovering from painful eye ...
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... Joyce's work , however , extends far be- yond his own mnemonic powers and his obsession with reworking and renaming his own past , for his writings , more than those of most writers of prose , depend on elaborate repetitions ...
... Joyce's work , however , extends far be- yond his own mnemonic powers and his obsession with reworking and renaming his own past , for his writings , more than those of most writers of prose , depend on elaborate repetitions ...
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... Joyce's early and late work , in between symbolism and realism , in between modernism and postmodernism — displaying many of the tensions inherent in the intel- lectual culture of what we now call the modernist period . Much of the ...
... Joyce's early and late work , in between symbolism and realism , in between modernism and postmodernism — displaying many of the tensions inherent in the intel- lectual culture of what we now call the modernist period . Much of the ...
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Common terms and phrases
allusion argues Artist associations become Bergson Bloom and Stephen Bruno's Budgen chance characters Circe claims consciousness Creative Evolution cultural unconscious dead destiny Dignam's Dublin echoes élan vital eleven Ellmann entelechy essay example experience father Finnegans Wake force Freud Gerty ghost Golden Ass guilt habit Hamlet Herr human ideas identity images imagination intertextual involuntary memory Ithaca James Joyce Joyce's texts Joyce's Ulysses Joyce's writing Leopold Bloom Lestrygonians magic Maher's memory in Ulysses metempsychosis models of mind modern modernist Molly mother mourning narrative nature Nausicaa nostalgia notes notion novel Nymph Odyssey paralyzed past Portrait present Proust provides Psyche psychic reader reading recollection remember repressed Richard Ellmann Rudy Rudy's death sense sexual Shakespeare shared memories soul Stephen and Bloom Stephen Dedalus Stephen's riddle suggests symbols tension text of Ulysses textual memory theory Theosophical thinks thoughts tion traditional Trieste Ulysses University Press voluntary Wandering Rocks words