Joyce's Book of Memory: The Mnemotechnic of UlyssesFor James Joyce, perhaps the most crucial of all human faculties was memory. It represented both the central thread of identity and a looking glass into the past. It served as an avenue into other minds, an essential part of the process of literary composition and narration, and the connective tissue of cultural tradition. In Joyce’s Book of Memory John S. Rickard demonstrates how Joyce’s body of work—Ulysses in particular—operates as a “mnemotechnic,” a technique for preserving and remembering personal, social, and cultural pasts. Offering a detailed reading of Joyce and his methods of writing, Rickard investigates the uses of memory in Ulysses and analyzes its role in the formation of personal identity. The importance of forgetting and repression, and the deadliness of nostalgia and habit in Joyce’s paralyzed Dublin are also revealed. Noting the power of spontaneous, involuntary recollection, Rickard locates Joyce’s mnemotechnic within its historical and philosophical contexts. As he examines how Joyce responded to competing intellectual paradigms, Rickard explores Ulysses’ connection to medieval, modern, and (what would become) postmodern worldviews, as well as its display of tensions between notions of subjective and universal memory. Finally, Joyce’s Book of Memory illustrates how Joyce distilled subjectivity, history, and cultural identity into a text that offers a panoramic view of the modern period. This book will interest students and scholars of Joyce, as well as others engaged in the study of modern and postmodern literature. |
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Contents
Personal Memory and the Construction of the Self | 15 |
The Past as Obstruction | 45 |
Memory Destiny and the Limits of the Self | 87 |
Joyces Mnemotechnic Textual Memory in Ulysses | 118 |
Intertextual Memory | 167 |
Conclusion | 181 |
Nausicaa and The Golden Ass | 199 |
Notes | 203 |
223 | |
233 | |
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Common terms and phrases
appears argues Artist associations attempt avoid become begins Bergson Bloom and Stephen called chance chapter characters Circe claims complex consciousness constructed continue course cultural dead death Dedalus desire destiny discussion Dublin earlier echoes eleven episode essay evolution example experience fact father feels final force Freud future habit Hamlet hand human ideas identity images imagination implied individual interest involuntary memory Ithaca James Joyce Joyce's later lives magic meaning memory mind Molly mother mourning move narrative nature notes notion novel occur Odyssey once original passage past Portrait possible present Press problems provides reader reading references remember repressed says seems sense sexual shared soul Stephen and Bloom story suggests symbols takes textual theory thinks thoughts tion traditional Ulysses unconscious University various writing young