All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 pages |
From inside the book
Results 1-3 of 86
Page 71
... shows concern about Cokes ' dealing with the players , Cokes replies , " I warrant thee , I will not hurt her ... show " ( 5.4.279 ) , the " we " indicating the puppet - player and his puppets , though actually only the puppet - player ...
... shows concern about Cokes ' dealing with the players , Cokes replies , " I warrant thee , I will not hurt her ... show " ( 5.4.279 ) , the " we " indicating the puppet - player and his puppets , though actually only the puppet - player ...
Page 261
... shows by silently assuming that the audience would suspend disbelief because of their acquaintance with narrative fiction ? Sidney did use other forms of narrative strategies in the Arcadia to influence the reader's insight into a ...
... shows by silently assuming that the audience would suspend disbelief because of their acquaintance with narrative fiction ? Sidney did use other forms of narrative strategies in the Arcadia to influence the reader's insight into a ...
Page 394
... shows the scorn with which Jonson regards stock romantic plots , and the jig places the device in the public playhouse tradition , where jigs were used . Although in Every Man out of his Humour Cordatus objects to cross- wooing , his ...
... shows the scorn with which Jonson regards stock romantic plots , and the jig places the device in the public playhouse tradition , where jigs were used . Although in Every Man out of his Humour Cordatus objects to cross- wooing , his ...
Common terms and phrases
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young