All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 pages |
From inside the book
Results 1-3 of 89
Page 237
... kind " is a key word : Eur : Ascanio , my heart doth honour thee . Asc : And yet continuest stil so strange to me ? Eur : Not strange , so far as kind will give me leave . Asc : Unkind that kind , that kindnesse doth bereave : Thou ...
... kind " is a key word : Eur : Ascanio , my heart doth honour thee . Asc : And yet continuest stil so strange to me ? Eur : Not strange , so far as kind will give me leave . Asc : Unkind that kind , that kindnesse doth bereave : Thou ...
Page 390
... kind of joking . There was a duel scene in Every Man out of his Humour , 4.2 , and in Patient Grissill ( 1599-1600 ) 3.2 , in which the joke was that one of the participants undressed his opponent , an action which functioned in these ...
... kind of joking . There was a duel scene in Every Man out of his Humour , 4.2 , and in Patient Grissill ( 1599-1600 ) 3.2 , in which the joke was that one of the participants undressed his opponent , an action which functioned in these ...
Page 411
... kind of induction , in which the play's major themes are exposed , the shapes of fancy related to the important images of sea , food , love , music , can make us wonder whether the later lines of 1.1 can also be read in such a ...
... kind of induction , in which the play's major themes are exposed , the shapes of fancy related to the important images of sea , food , love , music , can make us wonder whether the later lines of 1.1 can also be read in such a ...
Common terms and phrases
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young