All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 pages |
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Page 444
... Shakespeare ( London , 1927-48 ) ; W.R. Davies , Shakespeare's Boy Actors ( New York , 1939 ) ; M. Jamieson , " Shakespeare's Celibate Stage , " in G.E. Bentley , The Seventeenth - century Stage ( Chicago , 1968 ) ; M.C. Bradbrook , The ...
... Shakespeare ( London , 1927-48 ) ; W.R. Davies , Shakespeare's Boy Actors ( New York , 1939 ) ; M. Jamieson , " Shakespeare's Celibate Stage , " in G.E. Bentley , The Seventeenth - century Stage ( Chicago , 1968 ) ; M.C. Bradbrook , The ...
Page 549
... Shakespeare , William , A Midsummer Night's Dream , Harold F. Brooks , ed . ( London , 1979 ) Shakespeare , William , All's Well That Ends Well , G. K. Hunter , ed . ( London , 1967 ) Shakespeare , William , Antony and Cleopatra ...
... Shakespeare , William , A Midsummer Night's Dream , Harold F. Brooks , ed . ( London , 1979 ) Shakespeare , William , All's Well That Ends Well , G. K. Hunter , ed . ( London , 1967 ) Shakespeare , William , Antony and Cleopatra ...
Page 550
... Shakespeare , William , Much Ado About Nothing , Arthur Raleigh Humpreys , ed . ( London , 1981 ) Shakespeare , William , Othello , Maurice Roy Ridley , ed . ( London , 1965 ) Shakespeare , William , Pericles , Frederick David Hoeniger ...
... Shakespeare , William , Much Ado About Nothing , Arthur Raleigh Humpreys , ed . ( London , 1981 ) Shakespeare , William , Othello , Maurice Roy Ridley , ed . ( London , 1965 ) Shakespeare , William , Pericles , Frederick David Hoeniger ...
Common terms and phrases
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young