All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 pages |
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Page 221
... moreover become the object of praise to an extent that love for boys was preferable to the love for women . This might be meant spiritually , but the claim to superiority was often quite physically interpreted . The reports on De Vere ...
... moreover become the object of praise to an extent that love for boys was preferable to the love for women . This might be meant spiritually , but the claim to superiority was often quite physically interpreted . The reports on De Vere ...
Page 253
... Moreover , intertextual clues may need the ( supposed ) stage business in order to gain in relevance ( intertheatricality ) . Intertextuality in literature is differently layered from intertheatricality in performances . The latter is ...
... Moreover , intertextual clues may need the ( supposed ) stage business in order to gain in relevance ( intertheatricality ) . Intertextuality in literature is differently layered from intertheatricality in performances . The latter is ...
Page 306
... moreover may refer to ancient ideas which were probably even older than the Christian significance in the Queste . Moreover , the renewed symbolization of the combats of Clamydes in the play counterpoints the achievements of Clyomon and ...
... moreover may refer to ancient ideas which were probably even older than the Christian significance in the Queste . Moreover , the renewed symbolization of the combats of Clamydes in the play counterpoints the achievements of Clyomon and ...
Common terms and phrases
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young