All Semblative a Woman's Part?: Studies in the Staging of and Audience Response to Boy Actors in Sexual Disguise in the Elizabethan Theatre 1580-1615H. Gras, 1991 - 583 pages |
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Page 267
... entering in male clothes , the direction reads " Enter Alinda " ( 5.2.7.1 ) . In 5.6.56.1 it reads " Enter ... Alinda ( alias Archas ) , " still clinging to the female image as a reification . The play's possible relationship with ...
... entering in male clothes , the direction reads " Enter Alinda " ( 5.2.7.1 ) . In 5.6.56.1 it reads " Enter ... Alinda ( alias Archas ) , " still clinging to the female image as a reification . The play's possible relationship with ...
Page 273
... enter Lucretia , 2.1.0 ; even " enter Lodovico and Lucretia , with rapiers , fighting , 4.2.109.1 ) , only switching to " enter Angelo , and Lucretio " when ' she ' has put on man's apparel again ( 5.1.242.1 ) . Lucretia enters in the ...
... enter Lucretia , 2.1.0 ; even " enter Lodovico and Lucretia , with rapiers , fighting , 4.2.109.1 ) , only switching to " enter Angelo , and Lucretio " when ' she ' has put on man's apparel again ( 5.1.242.1 ) . Lucretia enters in the ...
Page 305
... enter the knight's service ( 11. 1626-31 ) . In the ensuing dialogue , the page gets a separate identity as Coeur d'Acer ( " Cur Daceer , 11. 1639-40 ) . Neronis then , alone on the stage , shows some confidence about her page's ...
... enter the knight's service ( 11. 1626-31 ) . In the ensuing dialogue , the page gets a separate identity as Coeur d'Acer ( " Cur Daceer , 11. 1639-40 ) . Neronis then , alone on the stage , shows some confidence about her page's ...
Common terms and phrases
action actor acts actually alludes ambiguous appears aspects audience awareness beauty becomes behaviour boy actor called Chapter character clear compared connected considered contains context course desire developed device direct discussed display effect elements Elizabethan English enters erotic example explain expressed female feminine final follows friendship Ganymede give given homosexual idea implies indicate instance interest interpretation joke Jonson kind Lady latter lines lover male marriage meaning mind Moreover nature object original particularly passion performance person play players possible present probably reason references reflect regards relationship remark Renaissance response role satire says scene seems sense sexual disguise Shakespeare shows situation social sodomy spectator stage story stress suggests symbolic taken theatre theatrical thinks thought tradition true turn Twelfth Night wants wife wish woman women wooing young