Memorials of Shakspeare: Or, Sketches of His Character and GeniusAMS, 1972 - 494 pages |
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Page 127
... object seems to set it free from that timidity which forbids us to expose ourselves without reserve to the eyes of pity . The spec- tators would perhaps refuse their sympathy to voluntary complaints ; but they readily yield to the ...
... object seems to set it free from that timidity which forbids us to expose ourselves without reserve to the eyes of pity . The spec- tators would perhaps refuse their sympathy to voluntary complaints ; but they readily yield to the ...
Page 460
... object of his ambition , as the cowardice of Falstaff is proportionate to the object of his fear but the bloody and revengeful Mac- beth is yet susceptible of compassion , and subject In contemplating Macbeth , we often regret the ...
... object of his ambition , as the cowardice of Falstaff is proportionate to the object of his fear but the bloody and revengeful Mac- beth is yet susceptible of compassion , and subject In contemplating Macbeth , we often regret the ...
Page 477
... object of its portraiture , let us now turn to a miniature sketch of the bard from the pencil of one whose dramatic powers are animated 0 Essay on Dramatick Poesy - Malone's Dryden , vol . i . Part 2 , pp . 98 , 99. It has not been my ...
... object of its portraiture , let us now turn to a miniature sketch of the bard from the pencil of one whose dramatic powers are animated 0 Essay on Dramatick Poesy - Malone's Dryden , vol . i . Part 2 , pp . 98 , 99. It has not been my ...
Contents
PART | 8 |
Genius | 53 |
On the Characteristics of Shakspeare COLERIDGE | 73 |
Copyright | |
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admiration ancient appears Banquo bard beauty Ben Jonson Caliban character comic criticism death delight delineation Desdemona drama dramatic poet edition effect England English Eschylus excellence exhibited expression Falstaff fancy feel genius of Shakspeare ghost give Greek Hamlet heart Henry Homer human humour Iago imagination impression Johnson JOSEPH WARTON Julius Cæsar king KING LEAR Lady Macbeth language Lear less literature Macbeth Malone manner mind moral murder nature never noble object observed Ophelia Othello passion perfect perhaps pieces pity play poet poetical poetry possess produced racter reader remarkable Richard Richard III Romeo and Juliet scarcely scene Schlegel seems sentiments Shak Shakspeare Shakspeare's Sophocles soul speare spectators spirit stage Steevens striking style sublime taste theatre thee thing thou thought tion tragedy tragic Troilus and Cressida truth unity Voltaire whilst whole words writers written