Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 pages It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
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Page 172
... represented " exactly as it was done . " 32 Because of its connection to the worldly icon , theatre was seen ( as it often still is ) as a more imme- diate form of representation than the purely verbal arts of the page : “ each one of ...
... represented " exactly as it was done . " 32 Because of its connection to the worldly icon , theatre was seen ( as it often still is ) as a more imme- diate form of representation than the purely verbal arts of the page : “ each one of ...
Page 181
... represented in the play but crucial to its plot : Pasibula ( B ) set naked and adrift at sea after Chremes ... represents the action by showing various scenes simultaneously : scenes that appear only sequentially in performance or in the ...
... represented in the play but crucial to its plot : Pasibula ( B ) set naked and adrift at sea after Chremes ... represents the action by showing various scenes simultaneously : scenes that appear only sequentially in performance or in the ...
Page 185
... represented on Melpomene's banner ) , but also the multiple temporal modes of the drama : theatrical time , represented in the image of Melpomene on a typical platform stage in front of the audience ; narrative time , represented in the ...
... represented on Melpomene's banner ) , but also the multiple temporal modes of the drama : theatrical time , represented in the image of Melpomene on a typical platform stage in front of the audience ; narrative time , represented in the ...
Contents
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
Copyright | |
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Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes