Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 pages It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
From inside the book
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Page 17
... manuscript producers were already beginning to define the drama through layout and lettering , pre - sixteenth - century manuscript plays look in many ways like non - dramatic texts , and most early printed playtexts look much like the ...
... manuscript producers were already beginning to define the drama through layout and lettering , pre - sixteenth - century manuscript plays look in many ways like non - dramatic texts , and most early printed playtexts look much like the ...
Page 32
... manuscript , circulated in fair copies reproduced many times over . This could take place on a small scale , as when individuals requested that actor friends or dramatists make copies of popular plays , rather than waiting for them to ...
... manuscript , circulated in fair copies reproduced many times over . This could take place on a small scale , as when individuals requested that actor friends or dramatists make copies of popular plays , rather than waiting for them to ...
Page 326
... manuscript copying in , for , and around the playhouse would require another book , but a few points may clarify the nature of the theatrical texts that ended up in printers ' hands , and the continuing centrality of manuscript ...
... manuscript copying in , for , and around the playhouse would require another book , but a few points may clarify the nature of the theatrical texts that ended up in printers ' hands , and the continuing centrality of manuscript ...
Contents
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
Copyright | |
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Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes