Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 - 494 pages It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of theatre as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's resistance to and continual refashioning of itself in the world of print."--Jacket. |
From inside the book
Results 1-3 of 83
Page 23
... characters.25 Speech - prefixes may be no different from speech tags in other kinds of narratives , full announcements that the words that follow are those of a character speaking , not those of a narrator . In the late fifteenth ...
... characters.25 Speech - prefixes may be no different from speech tags in other kinds of narratives , full announcements that the words that follow are those of a character speaking , not those of a narrator . In the late fifteenth ...
Page 106
... character " ( or write ) could mean to remember , as it does for Shakespeare's Polonius , who instructs Laertes : " These few precepts in thy memory | See thou character . " Printing itself ( having naturalized the metaphoric equation ...
... character " ( or write ) could mean to remember , as it does for Shakespeare's Polonius , who instructs Laertes : " These few precepts in thy memory | See thou character . " Printing itself ( having naturalized the metaphoric equation ...
Page 257
... Character and attire " of those in the play , here expanded from the simpler lists designating the “ costumes of the actors " ( in Eugénie ( 1767 ) and The Barber of Seville ( 1775 ) ) to full - fledged descriptions of character : THE ...
... Character and attire " of those in the play , here expanded from the simpler lists designating the “ costumes of the actors " ( in Eugénie ( 1767 ) and The Barber of Seville ( 1775 ) ) to full - fledged descriptions of character : THE ...
Contents
List of Illustrations | 11 |
Huntington Library for figs 8 22 45 47 60 the Harvard Theatre Collection | 11 |
Note on Editions Spellings Translations and Citations | 11 |
Copyright | |
20 other sections not shown
Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
17th century acting actors aesthetic Alexandre Hardy ancient Aristotle audience Beaumont and Fletcher Ben Jonson booksellers Castelvetro characters Charlotte Charke Cibber classical collection Comédie-Française Comedies commedia dell'arte complètes copies Corneille culture dedication dialogue discussion dramatic texts dramatists early editions eighteenth century English explains farces folio French frontispiece genres gesture Heywood Houghton Library identify illustrations imagination imitation instance Italian John Jonson kind language letters literary livres London Lope Lope de Vega Lord Chamberlain manuscript medieval modern Molière narrative Œuvres offer Paris patrons performance playbooks playhouse playtexts playwrights poem poet poetic poetry preface printed plays printers production prologue published qu'il quarto readers reading Renaissance representation scene scenic scripts senses seventeenth century Shakespeare similarly sixteenth century spectacle spectators speech speech-prefixes stage directions Teatro Terence textual theatre theatrical Thomas tion tragedy trans translation troupes Vitruvius words writes